渐进的曲线
Asymptotic Curves
2008
艺术家罗小戍希望以一种纯粹的语言来对他所理解的事物进行描述。作品《渐进的曲线》就体现了这种创作理念：“纯粹”，是指剥离一切附加在对象上的附属物，使对象还原到了它纯粹的本质；纯粹，是对事物的本质“直觉的感知”，而以最原初的形态揭示了那些隐藏在自然结构下面的本质，而在这个统一结构中，形体单纯而完整；纯粹，同样也包含了纯粹的材质语言。
The artist likes to use what he considers an essential “language” to describe his conception of an object. It is essential in that he affixs his glass cuttings to a medium as a means of returning that medium to its original state; for him, essential refers to one’s “intuitive perception” of the fundamental nature of an object, a way of revealing the concealed essence of an object that is hidden within its natural structure and found only in its most primitive state. Once revealed, it achieves a uniform structural form that is pure and complete; essence embodies material language.
艺术家简介 About The Artist
Xiaoshu Luo罗小戍
China/中国
*1978
罗小戍毕业于上海大学美术学院艺术设计学玻璃艺术研究，毕业后担任上海大学美术学院玻璃工作室教师 。在他看来，纯粹，它没有具体的特征，没有图形标志，也没有象征符号。纯粹，是指剥离一切附加在对象上的附属物，使对象还原到了它纯粹的本质；纯粹，是对事物的本质“直觉的感知”，而以最原初的形态揭示了那些隐藏在自然结构下面的本质，而在这个统一结构中，形体单纯而完整；纯粹，同样也包含了纯粹的材质语言。
Xiaoshu Luo was graduated from Shanghai University, School of Fine arts, majoring in Art design, specifically studying glass art. After graduating from the university, he worked as a glass studio teacher in Shanghai University, School of Fine arts. In his point of view, pureness, it has no concrete feature, no graphic symbol, neither symbolic sign. Pureness is a way to peel off all the appendants attached to the object in order to restore to its pure essence. Pureness is the “intuitive perception” of the essence of things, and it is presented as the original form to reveal the essence hidden under the natural structure, while the form in the unified structure is simple and complete. Pureness, it also contains pure material language.