非书非非书 ⅩⅤ
Non-Calligraphy ⅩⅤ
2009
《非书•非非书》是一种新的视觉经验，是用“书写式”的线条追求平衡、纯粹与宁静。传统的水墨语言在高度敏感的玻璃材料中获得彻底的释放，爆发出张力，增强了可视性和陌生感，并对传统水墨的写意理念做出了当下的技术演绎，强化了水墨的流动感和透明感，利用玻璃块料在高温状态下的自然渗透，形成层次融和丰富、轮廓界限模糊、犹如天然生成的墨晕，并有意放大黑色玻璃料块的能量，追求在极黑的墨色中的微妙变化，获取传统纸本经验难以实现的通透感与厚重感，形成具有独立审美价值的形式意味。
Non-Calligraphy ⅩⅤ is a new visual experience, it uses “written” lines to achieve balance, pureness and tranquility. Traditional ink-painting language in the highly sensitive glass would be released completely, broke out in tension, and enhance visibility and strangeness. It also makes traditional ink-painting freehand ideas have newest technological changes which emphasizes the flowing image and transparency. It uses the natural infiltration of small-sized glass in high temperature in order to form multiple-layered, blurry-outlined, inartificial halo of ink. Also, it intentionally enlarges the energy of black brick glass to form the subtle changes in intensely-black ink, so as to acquire transparency and high-density which is hard to be achieved in traditional paperwork and shapes form that has independent aesthetic value.
艺术家简介 About The Artist
Wang Qin王沁
China/中国
*1978
http://www.wangqinstudio.com
“我尊重玻璃材料本身，并不想控制它，而只是尝试着与它对话，理解他，融入它，使玻璃的物性和我的心性得到充分和谐。”
王沁,景德镇人,现居中国上海。任教于上海美术学院。曾多次参加国内外艺术展览, 其作品被美国费城艺术博物馆、英国维多利亚及阿尔伯特博物馆、英国布里斯托尔博物馆、德国Alexander Tutsek-Stiftung 基金会、苏格兰皇家博物馆、美国康宁玻璃博物馆、中华艺术宫、上海玻璃博物馆及上海世博会中国国家馆等多家机构及个人收藏。
“I respect glass as a material and don’t want to control it. I try to talk to the glass and understand it; merge with it to achieve an utterly harmonious connection between my heart and the material.”
Wangqin, born in Jingdezhen, lives in Shanghai and is one of the faclutiies of glass studio of Shanghai University. He was selected to join in several exhibitions in China and overseas, and his works were collected by Philadelphia Art Museum, British V&A museum and Alexander Tutsek-Stifung Foundation,, Corning Museum of Glass and Shanghai Museum of Glass and other museums and private collectors.