碎片与完整之间：椭圆
Between Fragment and Whole: Oval
2011
艺术家Jeannet Iskandar的作品受到辩证一元论的影响，认为世界终究是一个统一的整体。她的系列作品《碎片与完整之间》都是圆形（正圆、卵圆和胶囊形）组成，通过涂以罕见的哑色呈透明状，表面看起来像是运用了高科技的冬季保护色。发光的乳白色中心好像在推动各个部分同时舒展与收拢，使观者产生一种达到极致的有深度和动态的错觉，给人留下一种碎片在呼吸和扩张的感觉，似乎只能通过自己的目光将它们重新聚集起来。
The pieces from her Between Fragment and Whole series are all round (spheres, ovoids and capsules) and translucent with occasional muted color elements, which give their surfaces the appearance of a hi-tech winter camouflage. Their milky, light-emanating centers seem to push forth parts that are simultaneously opening and closing. This culminates in an illusion of depth and motion that leaves viewers with a sense of the pieces breathing and expanding. It is as if we hold them together with our gaze.
艺术家简介 About The Artist
Jeannet Iskandar
Denmar/丹麦
*1960
艺术家Jeannet Iskandar的作品受到辩证一元论的影响，认为世界终究是一个统一的整体。她的系列作品《碎片与完整之间》都是圆形（正圆、卵圆和胶囊形）组成，通过涂以罕见的哑色呈透明状，表面看起来像是运用了高科技的冬季保护色。发光的乳白色中心好像在推动各个部分同时舒展与收拢，使观者产生一种达到极致的有深度和动态的错觉，给人留下一种碎片在呼吸和扩张的感觉，似乎只能通过自己的目光将它们重新聚集起来。
The pieces from her Between Fragment and Whole series are all round (spheres, ovoids and capsules) and translucent with occasional muted color elements, which give their surfaces the appearance of a hi-tech winter camouflage. Their milky, light-emanating centers seem to push forth parts that are simultaneously opening and closing. This culminates in an illusion of depth and motion that leaves viewers with a sense of the pieces breathing and expanding. It is as if we hold them together with our gaze.