策展人：陈瑛

展览时间：2012年4月28日-2012年7月27日

展览地点：上海玻璃博物馆一楼临展厅

品牌顾问：朗图广告

Curator: Chen Ying

Duration: April 28, 2012 – July 27, 2012

Venue: Exhibition Hall, F1, Shanghai Museum of Glass

Brand Consultant: RITO

“路漫漫其修远兮，吾将上下而求索。”——屈原

中国古人的求索精神是后人信奉和追求的一种艺术境界。
追寻的弃而不舍决定着中国当代玻璃艺术发展的未来。

求索是一种艺术创作的状态，身于斯，长于斯的当代艺术家铭记传承和创新是奠定艺术创作的基础和动力。中国当代学院玻璃艺术引入西方的实践模式且已经躁动了11个年头，但相拥于成熟多年的西方当代玻璃艺术而言，初生牛犊的奋威 即将迎来创新理念和工艺技术的革命与转型。

本次展览的目的就是把我们探索的历程通过师生的作品予以呈现，打破以往单一的艺术表达方式，以多元化的创作手段和多样的艺术语言让观众了解玻璃材料的本质、艺术创意和与国际接轨的发展趋势。

“The way ahead is long; I see no ending, yet high and low I’ll search with my will unbending.” – Qu Yuan

EXPLORATION is a state of mind in artistic creation. Local contemporary artists believe that heritage and innovation are the basis and driving force for artistic creation.

It’s been 11 years since the western practical model was introduced to the contemporary glass art in Chinese schools. But unlike the mature Western contemporary glass art, China’s glass art is about to usher in concept innovation and a revolution and transformation in processing technology.

Shanghai Museum of Glass champions the creation of more colorful glass space via sharing. The purpose of this exhibition is to show the artists’ creative process through their works. Forsaking a single form of artistic expression, it shows the audience the nature of glass, artistic creativity and development trend with a wide range of creative tools and artistic languages!

复旦大学上海视觉艺术学院玻璃艺术工作室筹建于2007年，玻璃工作室现有使用面积三百余平方米，有完备的窑制玻璃制作设备，服务本科教育。成立的初衷是为了建立适合中国学院工作室实践的模式，其宗旨在于探索视觉艺术学院玻璃工作室的专业特色和未来发展，研究玻璃材料在纯艺术、应用艺术设计、以及传统工艺美术各个领域中所扮演的角色；触角将玻璃从传统的手工艺材料拓展至雕塑、工业产品造型设计，珠宝首饰设计，室内设计，建筑空间等多个范畴；强调多种工艺相结合的可能性和可行性。

The Glass Studio of Shanghai Institute of Visual Arts was set up in 2007 for undergraduate education. Its purpose was to create a practice model for studios in Chinese universities, to explore the characteristics and future development of the Glass Studio, and to study the artistic performance of glass in the field of pure art, applied art and design, as well as traditional arts and crafts. It aims to expand the range of glass applications, from traditional handicrafts to sculpture, industrial product design, jewelry design, interior design, architectural space, etc. and to emphasize the possibility and feasibility of combining a variety of processes.