近年来，艺术家在玻璃艺术方面的研究侧重于将玻璃作为媒材，介入装置艺术的创作，对物质化的玻璃本身与非物质化的表情及语言有了更深入的思考，即围绕线性玻璃在“动态”下与声音和光的对话，展开一系列大胆的尝试。于是我们看到的是一种改造块状玻璃后形成的苍茫之力，光线与随之摇晃、伸展：纤细而强烈的震颤，潜藏在柔美中的张狂，压制在精致之下的偏执，以及对光纯粹的凝练。郑闻卿不是以旧的铸造方式，塑出所谓的“新”，而是尝试了一种新的方式敲击玻璃的“旧”，让“光” 以新的方式呈现出来。

In recent years, the artist’s focus in glass art has been embedding glass into installation art works as a medium, where she has gained a deeper understanding about glass both on its physical form and on the expressions and languages it delivers. The works recent shows insights, which features bold attempts at creating dialogues between the linear glass in a dynamic form and the sound and light. What we are going to witness is the magnificent strength from the re-shaping of glass pieces, and the light that gleams and glows within. It is the strong trembling in thin and vulnerable lines, or the fierce expressions underneath the soft and gentle colors, or the extreme obsessions oozing out of the delicate craftsmanship, or the ultimate refinement of the diverse light. Zheng Wenqing is not creating something new with conventional methods; she is, instead, breaking apart the original shapes so that the light can glow and stream in a completely new fashion.