策展人：李力

展览时间：2015年3月21日-2015年6月21日

展览地点：上海玻璃博物馆伽蓝画廊

主办方：伽蓝画廊

协办方：上海玻璃博物馆/香格纳画廊

展览规划及平面设计：协调亚洲

Curator：Lise LI

Duration: March 21, 2015 – June 21, 2015

Venue: Glaze Gallery, Shanghai Museum of Glass

Organizer: Glaze Gallery

Co-Organizer: Shanghai Museum of Glass / ShanghART Gallery

Exhibition Planning and Graphic Design: COORDINATION ASIA Ltd.

张鼎的装置作品常围绕着感官与意志的强度，建构起一个个充满对抗性的场景。无论是木头、发泡剂或是钢铁，装置其间对于材质的运用成为艺术家控制物化的重心。在此次上海玻璃博物馆与他合作的艺术家项目中，玻璃作为重心材质被运用。黑色的看不清内部的玻璃球体，以三种方式构建作品，达成艺术家认为的空间平衡点。借由玻璃——这种脆弱同时坚硬；通透却致密；炙热而冰冷的物理特性，艺术家尝试使用最基本的方式运用材料的原始属性。黑色作为重要的属性，潜藏的不确定性被调动起来，观众和作品之间形成的气氛，一触即发。

Zhang Ding’s installation art piece usually centers on the strength of sense and will, through which to construct the antagonist scenes. Whether it is wood, foaming agent or steel, the utilization of the materials of the installation acts as the core for artists to control the objectification. In this artistic project cooperated by Shanghai Museum of Glass with Zhang Ding, glass is utilized as the core material. The artwork is based on the black glass ball, which hinders the visibility inside, in three ways, and achieves the spatial balance point accredited by artists. The glass is fragile yet hard, transparent yet compact, and hot yet cold in its physical characteristics. And the artist tries to use the most basic way to make use of the primitive property of the material. Black acts as a major property here, for the black blocks the visibility inside, which stirs up the audience interest to dig out what’s inside. In this way, an air of mystery can be formed between the audience and artwork and seems ready to be set off at a touch.