玻璃肠 Glass Intestine
策展人:李力
展览时间:2016年11月9日-2017年3月26日
展览地点:上海玻璃博物馆园区N1艺术写字楼一楼、二楼
主办方:上海玻璃博物馆/北京公社
展览规划及平面设计:协调亚洲
制作支持:施森彬玻璃艺术工作室
Curator: Lise LI
Duration: November 9, 2016 – March 26, 2017
Venue: 1st and 2nd Floor, Art Tower, Shanghai Museum of Glass Park
Organizer: Shanghai Museum of Glass/Beijing Commune
Exhibition Planning and Graphic Design: COORDINATION ASIA Ltd.
Production Support: Shi Sen Bin Glass Art Studio
关于展览 ABOUT EXHIBITION
情怀,是杨心广这次展览中反复强调的一个重点。
这个情怀,是抽离本我之后的一种大情怀,是理想世界里的某种抽象情愫,他关乎世界观和宇宙观,而不是现实中的琐碎点滴。断肠,在中国古代的文人笔下,往往就是对于某种情绪或者情怀的渲染。是对情怀这个话题一种很诗意的直观描述。玻璃的晶莹剔透、脆弱冰冷,都让“断”这个词语有了更加清晰的呈现。而如此特殊的材质和“断”相结合,带来的生理上的疼痛感又增加了“大我情怀”这一富有诗意的意境,同时也能触及到我们心理上的某些痛楚。
艺术家每组作品都会营造一个小场景,如同人体在某一结构上模糊不清的关系。那些玻璃做的山石与树木草皮颠倒了在真实空间中的位置,都代表着一些情绪化感受。而有着烧灼痕迹的不锈钢栏杆,则应和了“凭栏处”的意境,和断肠一起更增强了作品诗意化的氛围。积蓄的情感也得以通过这些细节迸发出来。
在杨心广的创作中可以看到他对各种材料的运用。艺术家通过对于材料本身属性的探索来回归到自身富有诗意化的内部修为,将其贯穿一起,形成流畅的脉络。
开始于2014年的上海玻璃博物馆的当代艺术项目“退火”,正是一个希望与对材料有兴趣的艺术家合作,探索玻璃这种材质的无限可能,这和杨心广的创作方式和理念不谋而合。玻璃肠正是在这个背景下,艺术家将材料与情感、物与人再结合的全新一次创作。
Selfless concern is a recurring theme in the works of Yang Xinguang at this exhibition.
This concern goes beyond the trivialities in mundane life and deals with the outlook of the world and the universe. It is a set of selfless, idealistic values. Broken heart was often described in an artistic, straightforward way by ancient Chinese poets to highlight a certain emotions or concern. The transparent, delicate and cold glass is an explicit presentation of the “broken”. The combination of such material and damage reinforced the aesthetic value of the selfless concern by invoking a sense of pain in the viewers.Each set of works contains a setting to imitate the complex relationship between different parts of the human body. The upside-down rocks and trees made of glass portrayed some deep feelings. By echoing the scene of looking at afar by the rail found in Chinese poetry, the burnt steel rails emphasized the style presented by the broken glass. These techniques skillfully made the deeply buried emotions visible.
A variety of materials have been used in these works. The artist Yang Xinguang masterfully expressed his well-cultivated inner world through exploring the different nature of those materials.
Such approach and style of Yang Xinguang is supported by the contemporary art program “Annealing” launched at Shanghai Museum of Glass in 2014 which aims to explore the possibilities of glass in art by cooperating with artists interested in trying different types of materials. The Glass Broken Heart is a brand new piece of work created through the integration of material, feelings, physical objects and human beings.
关于艺术家 ABOUT ARTIST
1980年生于湖南,2007年毕业于中央美术学院雕塑系,获学士学位,现生活与工作于北京。
杨心广曾参加过“超有机:中央美术学院美术馆双年展”(中央美术学院美术馆,北京,2011)、“首届CAFAM未来展:亚现象-中国青年艺术生态报告”(中央美术学院美术馆,北京,2012)、“首届蒙得维地亚双年展”(乌拉圭,2012)、“第9届上海双年展”(上海当代艺术博物馆,上海,2012)等大展。他的作品亦在澳大利亚白兔美术馆、法国卢瓦河当代艺术基金会美术馆、新加坡美术馆、德国杜伊斯堡莱姆布鲁克博物馆、美国古斯塔夫阿道尔夫学院希尔斯特伦美术馆、尤伦斯当代艺术中心、上海外滩美术馆、今日美术馆、北京民生现代美术馆、南京艺术学院美术馆、西安OCAT馆、上海玻璃博物馆等多家美术馆展出。2015年他入围“HUGO BOSS亚洲新锐艺术家大奖”,作品在上海外滩美术馆参加同名展览; 同年他还被“第九届AAC艺术中国”提名为年度青年艺术家。他的作品曾被卡蒂斯特艺术基金会 (巴黎和旧金山)、法国卢瓦河当代艺术基金会 (法国南斯)等机构收藏。
Born in Hunan province in 1980, YANG Xinguang graduated from China Central Academy of Fine Arts, with Bachelor’s degree, in 2007.
He has taken part in exhibitions such as Super Organism CAFAM Biennale (CAFAM, Beijing, 2011), The First CAFAM Future Exhibition: Sub-phenonmena: Report on the State of Chinese Young Art (CAFAM, Beijing, 2012), The 9th Shanghai Biennale (Power Station of Art, Shanghai, 2012) and The 1st Montevideo Biennial (Uruguay, 2012), etc. His works have been featured in many museums and institutions, such as White Rabbit Museum, Australia; Frac des Pays de la Loire, France; Singapore Art Museum; Lehmbruck Museum, Germany; Hillstrom Museum of Art, Gustavus Adolphus College, U.S.; Ullens Center for Contemporary Art; Rockbund Art Museum; Today Art Museum; Minsheng Art Museum; Art Museum of Nanjing University of The Art; OCAT Xi’an; Shanghai Museum of Glass and so on. He was nominated for HUGO BOSS ASIA PRIZE 2015, as well as “Young Artist of the Year” by Award of Art China (AAC) in the same year. His works have been collected by Kadist Art Foundation (Paris and San Francisco) and FRAC des Pays de la Loire (Nantes, France), etc.