策展人：阳昕

展览时间：2023年12月10日–2024年4月7日

展览地点：H5，临展厅

展览规划及平面设计：协调亚洲

支持单位：上海市对外交流协会

Curator: Cathye Yang

Duration: Decembe 10, 2023 –April 7, 2024

Venue: H5 Temporary Exhibition Hall

Exhibition Planning and Graphic Design: COORDINATION ASIA Ltd.

 Support Organization: Shanghai International Culture Association

在此次展览中，艺术家松藤孝一为中国观众带来了近三年的新作。脱胎于过往艺术家对于“婴儿”这一不知是纯善又或是邪恶的原生力量的思考，松藤孝一将视野投注于更广泛的疆域：自然与人类。观者将置身于“自然”与“人类”交织出的复杂力量之中，被引领走向一个令人震撼的时空交汇点。那里是对于“自然”与“人类”之间关系的无尽辩证沉思。

人类的活动被限制后，“自然”兀自生长，日复一日，不为人力所限。穿越海峡万里而来的大绢斑蝶、容器中封存着的脉脉生机、孩子祈求雷电之神庇护的喃喃低语……艺术家松藤孝一巧妙地捕捉到了自然的呼吸，山水间的余音和生灵的心跳。在那里，我们漫游于自然的宇宙诗歌中，时空被凝固成光斑的粒子，流淌的山川风景，沉静又深邃。

另一方面，人类发现、攫取了蕴含于自然的力量和秘密，以核能为代表“人类之力”为当今社会带来了便捷与发展，力量之勇猛堪比神魔。人类却又无法忽视滥用此种力量的凶险后果，并正在为之付出代价。“光明”与“黑暗”的转化只在一线之间，随之而来的碰撞冲突就像“矛”与“盾”这对难以调和的悖论般无解。在深深的反思之下，又隐藏着新的可能性：“终结”或许是“自然”新的开始，而“世界”的终结从来只是“人类”的终结。

自然和人类的关系，犹如永恒的生命之舞。在这无垠的宇宙中，只有归寂和新生，终结和将要终结。“死者归于圆满，生者则立于出航船只的甲板上合掌祈祷。船，顺利地离岸而去。”

我们无法预估彼岸，但潘多拉的匣子已被打开。

Following the restrictions on human activities, “nature” continues to grow autonomously, day by day, unrestricted by human efforts. The artist Koichi Matsufuji skillfully captures the breath of nature— the distant journey of butterfly Parantica sita crossing the straits, the pulsating vitality sealed within containers, the murmured prayers of children seeking the protection of the thunder god. Here, we wander through the cosmic poetry of nature, where time and space solidify into particles of light, and the flowing landscapes of mountains and rivers exude a serene yet profound atmosphere.

On the other hand, humanity has discovered and harnessed the powers and secrets inherent in nature, with nuclear energy symbolizing the “power of humanity,” bringing convenience and development to contemporary society, a strength comparable to that of gods. However, humanity cannot ignore the perilous consequences of abusing this power and is paying a price for it. The transformation between “light” and “darkness” exists on a thin line, and the ensuing clashes resemble an unsolvable paradox, like the eternal conflict between the “spear” and the “shield.” Beneath profound reflection lies new possibilities: “end” may perhaps be a new beginning for “nature,” while the end of the “world” has always been the end of “humanity.”