上海玻璃博物馆户外艺术广场开幕

暨八周年庆

2019年6月22日

走出既有框架，寻找新生活美学

2019年6月22日，上海玻璃博物馆迈向启馆8周年纪念。为此，我们准备了一系列庆典活动，邀请来自国内外的众多艺术、设计及文化界嘉宾，以及观众们，一同庆祝并见证户外广场的华丽开幕。

继往年以“破碎”作为7周年的突破，诠释了玻璃“脆弱”及“易碎”的固有特性，极大地拓展了玻璃原有的定义和格局，联系到我们身而为人同样也有脆弱的一面。这耳目一新之作继续探索玻璃的无限可能，令观众有更切身、深刻的感受及反思。

然而在8周年，上海玻璃博物馆转往“共享社群化”这个创馆理念突破。我们一直秉持“营造并共享博物馆美学新生活”的理念，希望以玻璃为媒介，延伸至每个人的生活。人们对博物馆既有的认知都是刻板的感觉，在一个封闭空间里展示艺术珍品。因此，我们在今年走出既有的空间限制，创造了一个开放式艺术广场，颠覆以往人们对于艺术储藏馆的固有认知。这也令园区融合了博物馆艺术设计展览及园区文化休闲项目，让艺术走出博物馆，跟大众有更近距离的接触, 让他们感受到艺术从无到有的奇妙过程。同时让参与者与艺术家站在一起，引起交流与互动。

在馆庆当天，上海玻璃博物馆准备了一系列活化园区的文化表演。现代舞舞者展现了为博物馆度身定制的优美舞姿，外籍乐队弹唱了一首首动人的乐曲，小丑为孩子们编制了一个个造型气球……无论是小孩，还是大人，都不亦乐乎。而当晚在广场里，嘉宾们欢乐对谈，享受着精彩的乐队、水晶杯和热力表演。大家都流连忘返，沉醉于欢乐及轻松的氛围里。这些效果亦跟我们8周年的标题“艺游未尽”一样，意在观众参观博物馆过后，还是感觉意犹未尽。

作为8周年的突破，我们想传达艺术也可以贴近生活，亲近观众，博物馆也可以脱下严肃的面具。不只是视觉上的艺术展示，而是把艺术延伸至大众的生活，让观众多一些欢笑，多一些真实的快乐与感动。在突破的同时，不忘初心，继续用心打造新生活美学的氛围，以及向我们追求的愿景和宏大目标“成为一座影响世界的博物馆”进发。

OPENING OF ARTPLAZA AND

EIGHTH ANNIVERSARY OF SHMOG

June 22, 2019

Jumping outside the box, Working for aesthetic new life

On 22nd June, 2019, Shanghai Museum of Glass ushered in its eighth anniversary. We prepared a series of celebrating activities and invited guests from arts, design, and cultural sectors at home and abroad and also the public, to share this moment and witness the grand opening of our outdoor plaza.

Since last anniversary’s breaking through in “BRKN”, interpreted glass inherent properties of vulnerability and fragile. This exhibition has greatly expanded the original definition and structure of glass, and also linked to one self’s vulnerability as a human. Such brand-new work continued to explore infinite possibilities of glass and gave visitors a more personal and profound experience and reflection.

Yet, in this year, Shanghai Museum of Glass tries to break through in “sharing community” which is one of our visions. Under the principle of “Creating and Sharing Museum Aesthetic New Life”, we hope to integrate glass into everyone’s life. People usually have a typical image towards museum: inflexible and showing art pieces inside an enclosed space. Therefore, we have jumped outside the space limitation and created an outdoor plaza, in order to overturn such perception. By blending the art and design exhibitions in the museum and entertainment programs in the other areas, art can be shown even outside the museum. We can have a much closer relationship with the public, letting them to experience art from 0 to 1 and interact with artists there.

On the day of celebration, there were varies of cultural performances to revitalize the park. Elegant and tailor-made performance by modern dance performers, wonderful melody performed by foreign band, balloon modelling for kids by crown, etc., everyone was having fun here. And all guests spent a jolly and unforgettable evening together, chatting and enjoying amazing band, crystal glass and radiance glass performances, indulging in the delightful and relaxing atmosphere. Just like our headline for eighth anniversary -“Dare to be wild”, aimed at letting visitors to get in touch with the nature and interact with strangers and leave an impressive memory after visiting our museum.

Through this breakthrough, we hope to spread a message that art can be part of our life and museum is not as formal as the majority thinks. We are not just showing art visually, but also integrating art into everyday life, giving out more realistic joy and feeling to our visitors. We will stay gold at a time we are having new attempts, continue in building up atmosphere of aesthetic new life, and of course, achieving our ultimate goal of becoming an influential museum worldwide.

光域  Richard Whiteley中国首展亮相上海玻璃博物馆

2019年6月19日

2019年4月28日14点，理查德·怀特利中国首展“光域”于上海玻璃博物馆设计新馆二楼临展厅正式拉开帷幕。该展览由上海玻璃博物馆主办、霍莉·威廉姆斯（Holly Williams）策展。

“光域”是澳大利亚国立大学副教授、艺术家理查德·怀特利先生（Richard Whiteley）在中国的首次个展。作为澳大利亚重要的玻璃艺术家之一，理查德·怀特利惊人地在其作品中统摄了内涵、材料与工艺，向我们展示了作为国际顶级水准玻璃艺术家的高超技艺。

此次展览“光域”展出的16件作品意在探索三个主题：有机的身体结构，建筑的虚空间，以及想象的理想空间。

艺术家理查德·怀特利表示：“我的作品建立在对玻璃特质和光线传播的理解与把握之上…展览中的一些作品有着有机的身体形态，以此让我们意识到我们的那一种想要窥视自己的身体，抑或别的系统的内部情形的愿望。”

在展览开幕式当日，怀特利先生为首批观展的VIP观众们亲自导览，深度解读了16件艺术作品，并同上海玻璃博物馆馆长张琳先生先后致辞。到场嘉宾和专业观众们均对展览的专业水平与艺术价值给予了充分肯定。

自上海玻璃博物馆建馆以来，我们形成了围绕“国际玻璃工作室运动”为核心主题的艺术家展览，广泛邀请国际艺术家展现玻璃材料的无穷魅力和创作理念。

Illuminated Space, Richard Whiteley’s first Chinese exhibition shown in Shanghai Museum of Glass

June 19, 2019

Illuminated Space, Richard Whiteley’s first Chinese exhibition, was officially begun inside Temporary Exhibition Hall on 2/F of Design Wing in Shanghai Museum of Glass at 2pm on 28^th April 2019. This exhibition was held by Shanghai Museum of Glass, curated by Holly Williams.

Illuminated Space is the first Chinese individual exhibition of Richard Whiteley, who is an associate professor of The Australian National University and an artist. Being one of Australia’s foremost kiln cast glass artists, he unites connotation, material and craftmanship into his artworks amazingly, showing us his high-end craftmanship as an international top kiln cast glass artists.

Illuminated Space has shown 16 artworks which are aimed to explore three key themes: organic bodily structures, architectural voids and an imagined ideal of space.

Richard Whiteley expressed that “My work is underpinned by understanding and manipulating the properties of glass associated with light transmission… The organic, corporeal gestures in some of the pieces in this exhibition are a reminder of our desire to see within and know the inner workings of our bodies or other systems.”

On the day of opening, Richard Whiteley guided for the first VIP audiences personally, deeply explained these 16 masterpieces and made a speech with Mr Zhang Lin, director of Shanghai Museum of Glass respectively. Both guests and audiences highly appreciated the exhibition’s professionalism and artistic value.

Since the establishment of Shanghai Museum of Glass, we have formed an artist exhibition centered on “International Glass Studio Movement”, which invites international artists to showcase the infinite charm and create concept of glass.

“New Glass Now”展览于美国康宁玻璃博物馆开幕

2019年5月23日

《New Glass Review》杂志由美国康宁玻璃博物馆创刊，由世界各地的艺术家、设计师和建筑师自由投稿，记录了玻璃这一具有挑战性的材料上的创新性和多样性。在此次展览之前，康宁玻璃博物馆围绕该主题举办过两次重要展览，分别为“Glass 1959-New Glass Review”以及“New Glass：全球范围调查”（1979），这两次展览为国际范围内玻璃工作室运动的蓬勃发展奠定了重要的基础，并刺激了玻璃艺术家、收藏界、艺术评论界对于玻璃与当代艺术的关注，促进了持续性的艺术创新工作。

此次“New Glass Now”展览旨在展示当代玻璃制作的广度和深度，展出了来自32个国家的100名艺术家在过去三年里创作的作品、装置、视频和表演。这是自1959年以来的“New Glass”系列第三次展览，此次展览现在采用了民主的策展方法，由康宁玻璃博物馆现代及当代玻璃策展人Susie J. Silbert率领的评审团共同策展，包括了香港M+博物馆特邀策展人Aric Chen、丹麦皇家美术学院主任、艺术家Susanne Jøker以及美国艺术家Beth Lipman。

作为美国康宁玻璃博物馆的重要合作伙伴，上海玻璃博物馆馆长张琳受邀出席了开幕式，并与美国康宁玻璃博物馆馆长Karol Wright、运营总监Alan Eusden、策展人Susie Silbert以及工作室主管Amy Schwartz进行了深入的交流。作为支持国际玻璃工作室运动的重要一员，上海玻璃博物馆将不断融入国际玻璃艺术平台，推进国际玻璃艺术发展，为中西方玻璃艺术交流贡献一份力量。

Exhibition “New Glass Now” at the Corning Museum of Glass

May 23, 2019

Launched by the Corning Museum of Glass and submitted by artists, designers and architects, New Glass Review is a magazine aims to record the innovation and diversity of glass, a challenging material. Around the theme of New Glass, the Corning Museum of Glass has organized two important exhibitions, “Glass 1959- New Glass Review” and “New Glass: A Worldwide Survey”(1979), which laid a foundation of International Studio Glass Movement and stimulated glass artists, collectors and critics’ concern on glass and contemporary art, which promoted art innovation constantly.

This exhibition, “New Glass Now” aims to present the breadth and depth of contemporary glass making, and displays the works of 100 artists from 32 countries and regions, including objects, installations, videos and performances. It is the third exhibition since the launch of “New Glass” series in 1959. The exhibition employs a democratic curatorial methodology. It is organized by an international panel. Headed by Susie J. Silbert, curator of Modern and Contemporary Glass at The Corning Museum of Glass, the panel also includes guest curators Aric Chen, curator-at-large, M+ museum, Hong Kong; Susanne Jøker Johnsen, artist and head of exhibitions at the Royal Danish Academy of Fine Arts, Schools of Architecture, Design and Conservation, Denmark; and American artist Beth Lipman.

As the friend and cooperator of the Corning Museum of Glass, Mr. Zhang Lin, director of the Shanghai Museum of Glass, was invited to the exhibition opening, and communicated with the CMOG team, including museum director Karol Wright, director of operations Alan Eusden, curator Susie Silber and head of workshop Amy Schwartz. As a keen supporter of International Studio Glass Movement, the Shanghai Museum of Glass will keep integrating into global glass art platform, supporting international glass art and promoting the glass art communication between China and world.

上海玻璃博物馆1月讲座回顾

1月19日，“谁的考古学”工作坊

艺术家中田一志的首场国内个展——《我的考古学》正在上海玻璃博物馆展出，艺术家在展览中分享了“他眼中的考古学”。为了揭开考古学的“神秘”面纱，帮助大众形成对这门学科的正确认识，上海玻璃博物馆于2019年1月19日策划了“谁的考古学”工作坊，邀请了三位来自不同领域的特别嘉宾为我们分享他们对于“考古学”的一些解读。

首先，由上海历史博物馆馆员戎静侃老师为我们介绍“考古学”，对考古学研究的理论框架和范围、对象、方法做一个完整的勾勒。其次，虞思明律师从现行法律的视角来看考古学，针对“谁的”做一些讨论。最后，策展人阳昕从艺术家的角度出发，讲述艺术家是如何看待这样一门有些神秘的学科。

观众伴随着热乎乎的冬日暖饮，与现场嘉宾进行了热切的交流，分享各自对于考古学的理解和困惑。通过此次工作坊活动，观众对于考古学家的工作有了更加科学的认识，同时也对考古的意义、文物及其蕴含的科学和艺术信息有了更深的体会。

1月26日，“饮茶二三事”讲座

不久前热播的电视剧《知否》对宋人的闲适生活进行了细致的描绘，博物馆也希望能借此机会让大家了解宋人的风雅生活，尤其是与饮茶相关的文化。

1月26日，上海玻璃博物馆举办了“饮茶二三事”讲座活动，并非常有幸地请到了上海复旦大学的赵琳老师。赵琳老师以热播电视剧《知否》为切入点，为我们介绍了宋代茶事的备茶过程以及备茶过程中会用到的各种器具，展示了相关的文献和实物。

通过讲座，观众了解到了关于宋代饮茶的一些小故事和知识，并积极参与讲座后的问答小环节。讲座结束后，观众在王沁老师的带领下参观了“玻心璃语”工作室，感受玻璃与当代饮茶文化的关联。

“谁的考古学”工作坊和“饮茶二三事”讲座是上海玻璃博物馆2019年开年的两场公教活动，得到了观众的积极反馈，观众亦期待博物馆之后能策划出更丰富多样的教育活动。在2019年接下来的日子里，博物馆也会继续以展览为依托举办相关的教育活动和一系列对谈讲座，请大家关注和期待！

19 January, Workshop: “Whose Archaeology”

My Archaeology, the first solo exhibition of artist Kazushi Nakada in China, is on display in Shanghai Museum of Glass, whereby Nakada shares the “Archaeology in his view”. To unveil the authentic “mysterious” archaeology, Shanghai Museum of Glass organized the workshop “Whose Archaeology”, invited three guests from different fields to share their interpretation of “Archaeology” with the audience.

Firstly, Mr. Rong Jingkan, archaeologist and researcher of Shanghai History Museum introduced archaeology the subject per se, outlined the theory frame of archaeology and its scope, object, and methodology. Then lawyer Mr. Yu Siming shared his view on the ownership of excavated objects from a legal perspective, led a discussion on “whose”. Finally, curator of the exhibition Cathey Yang narrated how artist Nakada viewed this seemingly mysterious discipline from the artist’s angle.
In the interaction section, audiences shared their understanding and confuse on archaeology with three guests. Through this workshop, the audiences learnt scientific cognition on the work of archaeologists and experienced the meaning of archaeology as well as the scientific and artistic information within cultural relics.

26 January, Lecture: Tradition of Tea Drinking in the Song Dynasty and Modern Time

The television series Story of Ming Lan depicts the everyday leisure of people in the Song dynasty in detail and attracts much attention. Accordingly, Shanghai Museum of Glass wants to take this chance to introduce the Song dynasty people’s life with gentility, especially the tea-drinking related culture.

On 26 January, Shanghai Museum of Glass invited Ms. Zhao Lin, an expert on Chinese art history and material culture from Fudan University, and hosted the lecture: Tradition of Tea Drinking in the Song Dynasty and Modern Time. With the demonstration on the tools and archive, Ms. Zhao Lin introduced how a proper tea ceremony was prepared and enjoyed in the Song dynasty, and the material culture involved in the process.

Audiences learnt the knowledge and hidden story behind the Song dynasty tea drinking ceremony through the lecture and the questioning section. At the end of lecture, audience followed artist Wang Qin, visited the “Let’s Talk Glass” workshop to experience the contemporary tea culture and its connection with glass.

Workshop “Whose Archaeology” and Lecture about tea drinking culture were two initial public events in 2019 by Shanghai Museum of Glass. The museum will arrange further exhibition-related events in 2019, including workshop, talks and tours. Follow us on social media for further information and coming events notice.

上海玻璃博物馆的GLASSY NEW YEAR

2019年2月5日

2019己亥猪年的上海玻璃博物馆一如既往，陪伴观众度过了整个春节假期。

大年初一开馆后，博物馆馆长张琳先生在再设计过的博物馆大堂为观众们送上新春祝福，发放新春艺术礼包，里面包含了猪年玻璃艺术摆件和博物馆GLASSY杂志最新刊。中国丝绸博物馆的赵丰馆长和复旦大学文物与博物馆学专业的郑奕教授也在初一来到了上海玻璃博物馆参观交流。

年初一2月5日和初三2月7日下午，馆长张琳先生在分别在博物馆主场馆和“BRKN/破碎”特展展厅各自带来了一场面向公众的新春导览，讲述了玻璃的历史和当下，展览的诞生缘由，以及那一组组展品背后那引人入胜的故事。

春节期间博物馆也迎来了两件大型装置作品的全新亮相。

艺术家林天苗女士的装置作品《暖流》，在历经两个多月的现场搭建、安装和调试后，以更加惊人的体量，在春节重归上海玻璃博物馆一楼阳光连廊。《暖流》从科学和药学领域汲取美学元素，是2017年上海玻璃博物馆与艺术家的“退火”项目合作的成果之一。

艺术家杜蒙的装置《彼方，此地》将狭窄的通道，压抑的黑笼，沉重的流沙，让人窥探的猫眼，以及让人内心平静的鸽鸣声交织起来。置身于这个神秘、灵性、略显幽闭感的空间时，观众得以全身心融入到作品的每一个细节之中，感受到作品的多元魅力。

SHANGHAI MUSEUM OF GLASSY’S GLASSY NEW YEAR

February 5, 2019

As in previous years, Shanghai Museum of Glass celebrated the Chinese New Year holiday with visitors together in 2019.

The museum director Mr. Zhang Lin sent the best wishes and an art gift pack to visitors in the renovated museum lobby in the morning of Feb. 5th, the first day of Chinese New Year. The art gift pack included a glass piggy decoration and the latest GLASSY magazine edited by the museum. Mr. Zhao Feng, director of the China Silk Museum, Hangzhou, and Ms. Zheng Yi, associate professor of department of cultural heritage and museology, Fudan University visited the Shanghai Museum of Glass on Feb. 5th as well.

In the afternoon of 5th and 7th February, museum director Mr. Zhang Lin delivered a special guided tour in the main hall and the “BRKN” exhibition respectively, introducing the history and trend of glass, the birth of the BRKN exhibition, as well as the hidden story behind the exhibits.

Additionally, two sets of installations made their debut in Shanghai Museum of Glass in this Chinese New Year holiday.

“Warm Currents”, an installation created by Chinese artist Lin Tianmiao, came back to the Shanghai Museum of Glass with an astonishing larger scale, after a two-month construction and testing. The installation problematizes aesthetics present in the fields of science and medicine, and it is the result of 2017 Annealing Program of Shanghai Museum of Glass.

“Everywhere, Nowhere”, an installation created by Chinese artist Du Meng, intertwines the elements of narrow aisle, black cages, heavy sands, peepholes and calm pigeon cooing together. When visitors stand in this mysterious and spiritual space, they may integrated into every detail of the work and sense its multi-faceted glamour.

2018年上海玻璃博物馆“退火”项目正式揭幕

2018年11月05日

11月5日，“物镜——刘建华个展”和“塞上——孙逊个展”在上海玻璃博物馆正式开幕。作为上海玻璃博物馆本年度的“退火”项目，艺术总监李力邀请了艺术家刘建华和孙逊以玻璃为媒介材料进行最新创作。本次两位艺术家的个展呈现于博物馆最新改造的当代艺术空间中，展览将持续到2019年5月31日。

当日下午一点半，2018年“退火”项目的新闻发布会于上海玻璃博物馆的爱庐彩虹礼堂举行，上海玻璃博物馆馆长张琳，“退火”项目艺术总监李力，艺术家刘建华和孙逊出席了本次新闻发布会。上海玻璃博物馆馆长张琳谈到，“退火”项目今年迎来了第五周年，他也期待今后能够与更多的当代艺术家展开合作，希望玻璃与当代艺术的联系能够不断地延续下去，从而为公众展现出玻璃的无限可能性。

李力作为“退火”项目的艺术总监，向媒体朋友们介绍了“退火”项目的起源和发展。她在新闻发布会现场表示，作为策展人，她并不为艺术家设置创作的规则和边界，而是鼓励他们利用相对不熟悉的玻璃材料大胆而自由的创作。今年呈现的两场展览，对两位艺术家而言都是首次用玻璃进行创作，她在策展过程常常感受到强烈的颠覆性，对未完待续的“塞上”展览下集她也抱有许多期待。

艺术家刘建华谈到，在项目启动至今将近一年的时间里，创作过程充满了纠结、艰难和各种偶然性。虽然陶瓷和玻璃在材质和特性上有许多共通性，但他仍然感受到了二者之间的明显区别，面对玻璃时陌生、不可控的感觉对他而言也是一种特别的享受。

艺术家孙逊表示，当李力向他提起“退火”项目时，他对这样的创作表达了强烈的兴趣。他希望能够从玻璃这个完全陌生的媒介中找到自己过往创作的核心，与玻璃的这次“对话”也带给孙逊许多启发和挑战。而谈及未来的期待时，他表示，希望“退火”能够坚持自己的实验性，以及纯粹的艺术性。

艺术家刘建华选用了血红色和黑色玻璃作为《碑》、《黑色形体》和《呼吸的风景》三组作品的创作媒材，意在打破人们对玻璃的既定认知。半开放状态的展厅将窗外风景的自然流动与展览场域融为一体，而当观众踏入这个地上布满碎玻璃的展厅时，“物镜”将会触发他们从视觉、听觉、触觉到心灵层面的共通和思考。

“塞上——孙逊个展”展出于当代艺术空间的一楼，本次展出的部分为展览上集，包括艺术家的系列手稿、绘画、动画影像以展示艺术家对于新创作的思考脉络，下集则将于明年三月揭开神秘的外衣。

感谢各位嘉宾、艺术家和媒体朋友莅临“退火”项目的开幕式，共同见证上海玻璃博物馆以更多元的姿态和身份，正式迈出跨向当代艺术领域的脚步。展览将于明日起正式向公众开放，并将持续至2019年5月31日。

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2018 Annealing Project is Unveiled in Shanghai Museum of Glass

November 5，2018

Mirror Effect and Frontier, the individual exhibition of LIU Jianhua and SUN Xun opened on January 5th 2018 respectively. As the 2018 ANNEALING Project of Shanghai Museum of Glass, Lise LI, the project art director, invited artist LIU Jianhua and SUN Xun to create their latest artwork with the media of glass. The two exhibitions are presented in the renovated art space in the museum. The exhibition will last until May 31st 2019.

The press conference of 2018 ANNEALING Project was held in the Rainbow Chapel at Shanghai Museum of Glass, with the attendance of museum director ZHANG Lin, ANNEALING Project art director Lise LI and artists LIU Jianhua and SUN Xun. In the press conference, the museum director Zhang Lin stated that 2018 was the fifth year of the ANNEALING Project, thus he hoped the Project could cooperate with more contemporary artists, and the connection between glass and contemporary art would be continued, in order to present the infinite possibilities of glass to the public.

As the art director of ANNEALING Project, Lise LI introduced the origin and development of the project. LI stated that, as the curator, she would not set any regulations or boundaries to creation and she would encourage the artist to work boldly and freely with glass, an unfamiliar new material to the artists. In the exhibitions presented, both LIU Jianhua and SUN Xun are the first time to work with glass. Thus LI felt a strong subversive-ness in the process of curation and she had a high expectation on the coming part II of the unfinished exhibition Frontier.

LIU Jianhua mentioned that, in the one year since the beginning of the project, the creation process was full of confusing, difficulty and serendipity. Even though there are many common characters between ceramics and glass in materiality, he still experienced the sharp difference between the two materials, and the unfamiliarity and uncontrollability when work with glass is a special enjoyment to him.

SUN Xun expressed that, when Lise LI introduced the ANNEALING Project to him, he was deeply interested in this unique creation method. He wanted to reframe the core in his previous works through a completely unfamiliar material, glass. And this “dialogue” with glass brought many inspirations and challenges to him as well. When talking about the future expectations, SUN Xun expressed that he hoped the ANNEALING Project could insist its experimentalism and pure artistry.

LIU Jianhua chooses dark red and black glass as the material of three sets of works, Monument, Breathing Scenery and Black Body, which aims to break the existed understanding of glass. The half opened exhibition hall brings the out-window scenery into the gallery space, and when visitors step on the floor that full of broken glass, Mirror Effect would intrigue their sense and reflection in visual, acoustic, sense and mental level.

Frontier, the individual exhibition of SUN Xun locates on the ground floor of the contemporary art space in Shanghai Museum of Glass. It is the part I of the whole exhibition, including the manuscripts, drawings, and animated videos, showing artist’s threads of thoughts on the new project, and the part II will be unveiled in March 2019.

Thank the guests, artists and media friends for attending the opening of the ANNEALING Project, witnessed the Shanghai Museum of Glass taking the step into the field of contemporary art with  more diversified identity. The two exhibitions will open to the public until May 31st 2019.

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上海玻璃博物馆成为上海博物馆协会副会长单位

2018年10月24日

2018年10月24日下午，上海文物博物馆学会第六届第一次会员代表大会暨上海市博物馆协会成立大会在上海博物馆举行，上海市文化广播影视管理局、上海市文物局副局长褚晓波，文博学会第五届理事会理事长陈燮君，副理事长兼秘书长陈克伦，上海市博物馆协会筹备小组组长杨志刚，副组长李峰，以及186名会员代表出席了大会。

大会分上下半场。大会上半场审议并通过了《上海文物博物馆学会第五届理事会工作报告》和《关于上海文物博物馆学会第五届会员代表大会召开以来的财务收支情况的报告》，投票表决通过了《上海市博物馆协会章程》和会费标准，同意“上海文物博物馆学会”变更为“上海市博物馆协会”。选举产生了由杨志刚等17名同志组成的新一届理事会和由李仲谋等3位同志组成的监事会。大会中场休息时，分别召开了上海市博物馆协会第六届理事会、监事会第一次会议，理事会、监事会选举产生了班子成员，上海博物馆馆长杨志刚任会长、陈云纪念馆党委书记、馆长陈麟辉、上海博物馆副馆长李峰、上海玻璃博物馆馆长张琳任副会长，上海博物馆副馆长李仲谋任监事长，协会理事会聘任李峰为秘书长。

上海博物馆协会将利用社团组织的优势加强博物馆行业建设、促进本行业发展，并代表协会第六届理事会、监事会向大会郑重承诺：严格坚持办会宗旨，在市文广影视局、文物局、社团局的业务指导下，积极发挥协会的桥梁与纽带作用，开拓创新办会理念、推进相关学术活动、提升服务能力，为完善上海公共文化服务体系，丰富市民文化生活做贡献。

上海玻璃博物馆常设陈列获得德国标志性设计奖

2018年10月09日

2018年10月9日，上海玻璃博物馆展览设计荣获了德国标志性设计奖2018创新建筑最佳设计奖。奖项由德国国家设计委员会执行总裁安德鲁•库佩兹，在德国慕尼黑现代艺术陈列馆的红毯宴会典礼上颁发与上海玻璃博物馆执行总裁张琳先生与博物馆艺术总监迪尔曼•图蒙先生。

德国标志性设计奖由德国设计协会设立，这一奖项是首个关注世界范围内跨领域设计的独立奖项。该奖项表彰在广义建筑语境内的所有设计，横跨实验性项目，商业建筑和制造产业，内容涵盖建筑、创新性产品以及可持续交互，具有相当重要的学术性和国际性。

德国标志性设计奖的评审团给予了上海玻璃博物馆展览设计极高的评价：

上海玻璃博物馆被公认为是中国的领先博物馆之一。令我们特别印象深刻的是，玻璃的主题以一种极具艺术性和教育性的方式呈现给观众。展陈内容不仅涵盖了玻璃的各个方面，而且也涉及到它从石英砂到熔化、成型和碎片的各种聚合状态。这是一个将现代科技与经典展品陈列概念完美结合的案例。个别区域的设计也处理得非常精妙。光，作为一个重要元素，被运用得惟妙惟肖。项目以强有力的博物馆概念为主导，巧妙融合了戏剧元素。

On 9th October, 2018, the exhibition design of Shanghai Museum of Glass was awarded the ICONIC AWARDS, Innovative Architecture “Best of Best” project by Andrej Kupetz, the CEO of the Executive Board of the German Design Council in the Pinakothek der Moderne at Munich. Zhang Lin, the president of Shanghai Museum of Glass and Tilman Thürmer, the art director of Shanghai Museum of Glass received the accolades.

Established by the German Design Council, the ICONIC AWARDS is the first independent international architecture and design competition to take into account the interplay between the various disciplines. Awards are given to visionary buildings, innovative products and sustainable communication in all sectors of architecture, the construction and real estate business and the manufacturing industries.

The jury statement comments the exhibition design as below:

The Shanghai Museum of Glass is rightly regarded as one of China’s leading museums. We were particularly impressed by how the subject of glass is conveyed to visitors in an extremely artistic fashion that is also highly educational. Thus, glass is represented not only in all its facets, but also in its various states of aggregation – from quartz sand to melting, moulding and shards. This is accomplished using modern technology, hand in hand with the classic concept of the exhibit as a real, tangible object. The design of the individual areas is also handled extremely well, with the theme of light obviously playing at least as important a role as glass itself. An incredibly strong museum concept, which visibly draws on a creative investigation of theatrical elements.

上海玻璃博物馆执行总裁张琳先生受邀参加IGS2018

2018年10月4日

2018年10月4-7日，上海玻璃博物馆执行总裁张琳先生受捷克布拉格国家工艺美术馆馆长Milan Hlaves先生邀请，前往捷克Novy Bor参加今年举办的国际玻璃论坛，以下简称IGS（International Glass Symposium）。

IGS与此次举办地Novy Bor自1982年起就紧密相连，当地玻璃制作公司Crystalex开始邀请来自世界各地的艺术家和设计师，到访当地的工厂，与经验丰富的玻璃工匠见面，将艺术家和设计师脑中抽象的想法变为现实。自此，IGS每三年在当地举办一次。在今年的10月初，Novy Bor再次举办了第13届国际玻璃论坛，论坛已然成为世界级的玻璃盛世，象征着玻璃艺术的业内聚会、创意作品以及新的可能性。数以百计的著名玻璃艺术家来到Novy Bor，与工厂的密切而良好的合作，不仅促进了当地玻璃制作的发展，向世界推广捷克玻璃和玻璃工艺，更重要的是这也代表了当代政府保护重要文化遗产的决心和努力。

张琳先生在此活动上与来自世界范围内的重要玻璃艺术家进行了交流和沟通，为后续上海玻璃博物馆与捷克玻璃艺术界合作奠定了良好的基础。

SHOMG WAS INVITED TO ATTEND IGS2018

October 4th, 2018

Between October 4th and 7th, Mr. Zhang Lin, director of the Shanghai Museum of Glass, attended the 2018 International Glass Symposium (hereafter IGS) held in Novy Bor, Czech Republic, under the invitation of Dr. Milan Hlaveš, director of the Museum of Decorative Arts in Prague (Uměleckoprůmyslové museum).

IGS has been connected with the venue city Novy Bor since 1982, when the local glass manufacturer Crystalex began to invite international artist and designer to local factory, to meet the experienced technicians and to transform the abstract concept into reality. Since then, IGS have been held in Novy Bor triennially. At the beginning of October 2018, Novy Bor held the 13th IGS, which already became a world-class glass event and symbolized the industry gathering, the creativity and the new possibility of glass. Hundreds of famous glass artists came to Novy Bor and collaborated with local factories. This collaboration not only improved the development of local glass manufacturing and promoted the Czech glass to the rest of world, but also symbolized the determination and effort of protecting the local cultural heritage by local government.

Mr. Zhang Lin interacted and communicated with glass artists from all over the world in this event, and this communication shall provide a good basis for further cooperation with the Czech glass artists.