主办方：上海玻璃博物馆

概念及设计：迪尔曼•图蒙/协调亚洲

策展团队：陈瑛/上海玻璃博物馆，协调亚洲

展览灯光：欧科照明

展览时间：2013年3月28日 – 2014年3月31日

展览地点：上海玻璃博物馆，23号楼

Organizer: Shanghai Museum of Glass

Concept and Design: Chen Ying / Shanghai Museum of Glass, COORDINATION ASIA Ltd.

Curation: ERCO

Exhibition Lighting: ERCO

Dates: Mar 28, 2013 – Mar 31, 2014

Exhibition Venue: Building 23, Shanghai Museum of Glass

逾200件来自世界各地的创意设计作品奏响玻璃的“欢乐颂”

2013年3月28日，上海玻璃博物馆将会迎来横跨整年的重磅特展——“Keep it Glassy”，展示出玻璃设计创意和玩味的一面。这场展览涵盖了世界各地50多位设计师的作品，包括著名设计师Droog（荷兰）、Fabrica（意大利）、Campana Brothers（巴西）和Tadao Ando（日本）等。这200多件作品的共通之处在于：用爱设计、用心保护。

玻璃已穿过漫长时光，直至今日，设计师们依然在不断挖掘这种材质的迷人特质，呈现其变化无穷的形和色。众所周知，玻璃制作是一门繁复且极为严谨的工艺，但同时也是充满趣味的尝试，总能带来意想不到的结果，而新展览“Keep it Glassy”恰恰会验证这一点。

超过200件展品经由世界各地精心汇聚上海玻璃博物馆的全新临展空间。“Keep it Glassy”展览精选出的众多国际级设计师佳作，将会让跨越语言、风格和文化界限的玻璃在这里妙趣横生。该展览汇集创意理念于一处，共享同一种语言——对玻璃的热爱，和以玻璃进行创意设计的兴奋刺激。

Keep it Glassy展览由协调亚洲共同策划，这家公司为该展览项目创作出非凡的理念和设计。如梦如幻的的镜面和水池设计呈现出令人惊叹的视觉体验，引领观众一同品味这些不仅可展现出材质本身的魅力，还能让你把微笑挂在脸上的展品。

More than 200 exhibits from all over the world show the fun of working with glass

On the 28th of March 2013 the Shanghai Museum of Glass presents a sparkling new exhibition that shows the playful and fun character of glass design. ‘Keep it Glassy’ shows the work of more than 50 designers from all over the world, including renowned names such as Droog (The Netherlands), Fabrica (Italy), the Campana Brothers (Brazil) and Tadao Ando (Japan). Over 200 exhibited objects have one thing in common: they are designed with love and should be handled with care.

Throughout time, glass has come a long way. Up until today designers are embracing the materials’ fascinating ability to take on endless shapes and colors. Besides the fact that working with glass is a very serious matter of craftsmanship, it is also a fun way of experimenting that can have surprising results. The new exhibition ‘Keep it Glassy ‘shows exactly this.

More than 200 exhibited works are carefully brought in from all over the world to come together in the new temporary exhibition space of the Shanghai Museum of Glass. For ‘Keep it Glassy’ an international selection of designers was made, as the fun of working with glass goes beyond borders of language, style or culture. The exhibition brings together the works of creative minds that share a common interest – a passion for glass and an excitement in working with the material.

Keep it Glassy is co-curated by COORDINATION ASIA, who also created the extra-ordinary exhibition concept and design for the project. A maze of mirrors and pools offers surprising perspectives and leads the visitor through the selection of exhibits that put a smile upon your face and show the magic of the material.

A+A Cooren / France

Adrian Froufe / Spain

Andrés Basurto / Mexico

Anna ter Haar / The Netherlands

Anneli Hoel Fjærli / Norway

Arnout Visser / The Netherlands

Artecnica / USA

Aruliden / USA

Boris Klimek / Czech Republic

Brokis / Czech Republic

Caroline Olsson / Norway

Catarina Carreiras / Portugal

Chiara Onida / United Kingdom

David Raffoul / Lebanon

Design House Stockholm / Sweden

Droog / The Netherlands

DY + LK Design Studio / France

El Ultimo Grito / Spain

Ellen Urselmann / The Netherlands

Erik Höglund / Sweden

Esque Studio / USA

Estudio / Campana Brazil

Evie Group / Australia

Fabrica / Italy

Gumdesign / Italy

Harri Koskinen / Finland

KOSHO TSUBOI / Japan

HUM / Saburo Sakata / Japan

Joana Meroz & Andrea Bandoni / Brazil

Johan Lindstén / Sweden

Jonas’ Design / Switzerland

Kaptein Roodnat / The Netherlands

Kirsty Minns / United Kingdom

Kouichi Okamoto / Japan

Laura Ceballos Castilla / Colombia

Laurence Brabant Editions / France

Laurent Corio / France

Lindsey Adelman / USA

Liz Goulet Dubois / USA

Loris & Livia / United Kingdom

Luca Nichetto / Italy

Luz Angela Lizarazo / Colombia

Mark A. Reigelman II / USA

Marie Dessuant/Fabrica / France

Matteo Cibic / Italy

Mendel Heit / Germany

Miriam Aust / Germany

Molo / Canada

Matilda Ringnér / Sweden

Nina Jobs / Sweden

Phuze / Mexico

Qubus / Czech Republic

Rob Brandt / The Netherlands

Rogier Martens / The Netherlands

Sam Baron / France

Sarah Böttger / Germany

Sara Gressberg / Norway

Sebastian Bergne / United Kingdom

Signe Persson Melin / Sweden

Tadao Ando / Japan

Thelermont Hupton / United Kingdom

Timo Sarpaneva / Finland

“玻璃的传承和历史是一个严肃的命题，但是如果你曾有机会参观上海玻璃博物馆的热玻璃表演，或是在全世界其他地方观看过现场玻璃吹制表演，那么你可能就会了解玻璃并不仅仅是那么严肃的一件事。玻璃制作同样也是享受这种非凡的材料所带来的纯粹的好不复杂的乐趣。不断地一再地尝试，以期达到绝对地设计成果，可有时计划外地错误却成就了非凡地玻璃设计。与玻璃的合作就如同游戏一般，有时候你不知道最终的结果会是如何。这种与玻璃共同合作时的乐趣正是“Keep itGlassy”的展览所想要表现的。

“Keep it Glassy”关注于玻璃设计。与艺术家相对，许多设计师在制作过程中，与所使用材料的互动中汲取灵感。玻璃既能够表现出坚实与强硬的一面，又具有流动性和液体的感官形态，这也可能是玻璃之所以为世界各地的设计师广泛喜爱的原因。玻璃制作的过程中，有着无穷的尝试和可能性。缓慢加热和溶化的过程，形态以及颜色的勾勒塑造，或与不同材料的结合，最终又可能与预期中的完美成功擦肩而过，却结晶出充满趣味的设计作品，类似如此的200多件一同汇聚到“Keep it Glassy”展览中来。”

Heritage and history of glass are serious subjects, but if you have you ever visited the Hot Glass Performance Hall of the Shanghai Museum of Glass, or have seen a live glassblowing performance elsewhere in the world, then you might already understand that glass is not only a serious matter. Glassmaking is also having genuine and uncomplicated fun with this extraordinary material. Trying and trying again to come to exactly the right design, sometimes an unplanned mistake turns out to be a brilliant glass design. Working with glass is playing, sometimes not knowing what the final result will be. This fun part of working with glass is exactly what ‘Keep it Glassy’ is all about.

“ ‘Keep it Glassy’ focuses on glass design. Many designers create ideas during their making process and draw inspiration from the materials they work with. Glass can appear solid and strong, as well fluid and liquid, and this might be one of the reasons why it is greatly embraced as a material by designers worldwide. Working with glass offers endless possibilities to experiment. The slow process of heating and melting, creating shapes and colors, combining it with different materials, and succeeding or beautifully failing to control it, results in interesting designs, of which more than 200 examples come together in ‘Keep it Glassy’. ”