当前临展
Temporary Exhibitions

HALL 18
渗流
Water Writes, Stone Remembers

展览以“渗流”为核心概念，关注水如何在岩层中渗入、停留，并在漫长时间中改变物质形态。艺术家通过反复堆叠、擦除与稀释颜料，模拟这一缓慢生成的过程，使画面呈现出湿润、凝结而不断变化的状态。

The exhibition explores how water penetrates, remains within, and gradually transforms layers of rock over extended periods of time. Through repeated layering, erasing, and dilution of pigments, the artist recreates this slow process of formation, allowing the paintings to reveal a sense of moisture, accumulation, and continuous transformation.

HALL 5
另一面
The Other Side

以艺术家丁允的水晶收藏与艺术创作为线索，展览探索水晶与玻璃的差异，在光影与材料之间，引发关于感知、真实与幻象的思考。

Centered on Dingyun’s crystal collection and artistic practice, the exhibition explores the differences between crystal and glass, using light and material to reflect on perception, reality, and illusion.

HALL 17
梦镜图
The Dreaming Mirror

展览《梦镜图》缘起于艺术家陈轴在2025年初受基金会邀请，前往贵州云山屯展开的驻留项目。在深邃的山洞中，陈轴关掉一切光源，体会黑暗与静默同在的时刻。洞穴宛如一个古老的寓言，触发了他对“存在与意识”的本源思考。这种无声无光的体验，成为了《梦镜图》创作的重要起点。

The exhibition originates from Chen Zhou’s artist residency in Yunshantun, Guizhou, earlier this year. Inside a profound mountain cave, the artist turned off all light sources, immersing himself in a moment where darkness and silence coexisted. The cave, like an ancient fable, awakened his reflection on the essence of “existence and consciousness.” This wordless, lightless experience became the conceptual beginning of The Dreaming Mirror.

HALL 18
家是边境：蒙塔达斯的玻璃项目
Homecrossing: Glass Projects

蒙塔达斯以“持续的位移”为核心展开实践，将跨越文化与地理边界的经验转化为对“家”的反思，并借助“玻璃”这一具有透明、隔离与交换属性的材料，揭示公共生活如何是重新界定“家”的边界的。

At the core of Muntadas’s artistic practice is “constant displacement,” through which he translates experiences of traversing cultural and geographical divides into profound reflections on “home.” He employs “glass”—a material inherently possessing qualities of transparency, separation, and interchange.