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2019年“退火”，攀登当代艺术界的“珠穆拉玛峰”
Opening of Annealing 2019

2019年12月3日 / no comments

2019年“退火”，

攀登当代艺术界的“珠穆拉玛峰”

2019年12月03日

 

 

2019年11月3日，上海玻璃博物馆当代艺术项目“退火”的本年度展览正式开幕。今年，上海玻璃博物馆非常荣幸地邀请到了两位艺术家——孙逊和朴庆根（韩国），以玻璃为主线进行创作。在H18当代艺术馆内，两位艺术家分别为我们呈现两个名为《塞上（下集）》和《我是我的镜子》的精彩个展。

 

当日下午五点，艺术家论坛在新落成的穆拉诺西餐厅二楼举办，上海玻璃博物馆馆长张琳、项目艺术总监李力、本年度“退火”合作艺术家孙逊和朴庆根（韩国）出席了本次见面会。张琳馆长表示，往往以日常姿态出现的玻璃与当代艺术的相融令人振奋，并对年轻的“退火”项目寄予厚望。李力女士指出，“退火”不仅是艺术家为玻璃这一传统材料赋予新概念的过程，也是打破了当代艺术界限的尝试。孙逊表示，突破自我知识结构与经验认知，将自我想法融入玻璃创作是一个狼狈又有趣的过程，也是对于心理的巨大挑战与考验。朴庆根和观众们分享了参与“退火”时因文化差异发生的一些趣事，玻璃成为了他从私人化视角探讨女性角色的切入点。

 

当日晚间，上海玻璃博物馆广邀各行各业媒体嘉宾、业内闻人及艺术爱好者们欢庆这个时刻，一同先行参观本年度“退火”大展。随后，声音艺术家王长存、音乐人pink; money、ollo-MAM的现场表演将活动气氛炒至深夜，开幕派对画下圆满句点。

 

“退火”，作为践行博物馆使命的项目，不仅致力于为公众呈现以“物”的视觉欣赏为导向的展览，更希望能为公众带来引发思考、触动灵魂的体验。突破自我，超越极限，上海玻璃博物馆将不断邀请更多艺术家在作品中植入各种生命力，进而攀登当代艺术界的“珠穆拉玛峰”。

 

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Opening of Annealing 2019

December 03, 2019

 

 

 

On November 3, 2019, Annealing 2019, the contemporary art project of Shanghai Museum of Glass was officially opened. The Museum was honoured to invite two artists, SUN Xun and Kelvin Kyung Kun PARK (Korea), to create under the mainline of glass. As a result, in the Contemporary Art Hall 18, two artists brought their solo exhibitions, Frontier Part II and Double Mirror respectively.

At 5 pm, the Artist Forum was held on the second floor of the newly renovated Murano Café & Restaurant. The Museum Director ZHANG Lin, the Art Project Director Lise LI, and the two artists in collaboration of Annealing 2019, SUN Xun and Kelvin Kyung Kun PARK attended the Artist Forum. Mr. ZHANG Lin mentioned that the fusion between glass, a usually mundane material, and contemporary art would be intriguing, and expressed his great expectations on the young Annealing Project. As Lise LI argued, the Annealing Project was not only a process of giving new concept on glass as a traditional material, but also breaking the boundary of contemporary art. SUN Xun noted that breaking the knowledge structure and experiential cognition, and blending one’s own ideas into glass creation is a process awkward yet interesting, a great challenge to artist’s mentality. Kelvin shared the anecdotes of cultural difference during the Annealing Project with the audience; therein glass has become the start point of a private perspective of looking into female characters.

In the evening, Shanghai Museum of Glass hosted the media, professional audience and art lovers to enjoy the opening, previewing the yearly Annealing Exhibition together. After the preview, the performance by sound artist WANG Changcun, musician pink; money and ollo-MAM brought the audience a lively after party until late night, and the opening ended successfully.

As a project applying the museum’s mission, Annealing aims to not only presenting object-focused and visually pleasant exhibitions but also bringing a thought-provoking and soul-touching experience to the public. Out of the comfortable zone and beyond the limits, Shanghai Museum of Glass will keep inviting more artists to plant vitality to artworks, and then to climb the highland of contemporary art.

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点亮生命的每一天“局外人”系列第三期：星球之舞
“Outsider”No.3: Planetary Dance

2019年10月22日 / no comments

点亮生命的每一天

“局外人”系列第三期：星球之舞

2019年10月22日

 

 

如何去面对生命中挚爱的离去？澳大利亚玻璃艺术家理查德·怀特利近年来见证了父母身体的逐渐衰败，直至去世，并借由对于父母X光片的观察和解读，创作了《光域——理查德·怀特利个展》中的部分最新作品。

 

2019年10月13日，也是展览闭幕前一天，上海玻璃博物馆与自然艺术节、世界安宁疗护日、上海市妇女联合会特别合作，在上海玻璃博物馆园区内进行了为期一天的“局外人”系列活动。在这次富有意义的活动中，我们特别邀请了艺术表达治疗师Marguerite Etemad女士以及伦敦大学皇家霍洛威学院身体剧场专业硕士卢璐女士，以“告别”为主线，从展览《光域》出发，借由“星球之舞”的特别形式，带领参与者用肢体感受艺术，用舞蹈告别沉重。

 

活动一开始，在导师们的带领下，参与者们在《光域》展厅楼下的草坪集合，静下心来观察阳光与自然，感受鸟鸣与空气，植物的生长，光线穿过树叶的轨迹，在没有手机、没有话语的氛围下，仔细体验周围的世界。随后，两位导师对《光域——理查德·怀特利个展》进行了特别导览，要求每一位参与者默默欣赏作品，仔细观察其中的光影变化，吸取灵感，并记住此刻的感受，带入到后续的艺术工作坊创作中。导览参观之后，导师和参与者来到爱庐彩虹礼堂，学习生命/艺术历程（Life/Art process）艺术表达疗法和“RSVP循环”可持续创作法。参与者分成5组，根据欣赏《光域》展览和相关作品的感受，即兴创作舞蹈、绘画和诗歌作品，融合成舞台剧形式，以“宇宙”、“生机”、“生活的循环”、“命运·包容·接纳”、“死神来了”等主题进行呈现，精彩纷呈。

 

简单的休息后，Marguerite Etemad女士开始了“星球之舞”的教授，讲解了“星球之舞”的起源、目的、规则，并在鼓手的配合下，进行星球之舞的演练与彩排。在户外广场上，路过的观众也加入到舞蹈中，人们为了和平安宁而舞，也在这场活动中释放压力，享受快乐。“星球之舞”是有目的的舞蹈，每个人不是为了自身，而是为了他人而舞。带着这样的愿望尽可能长地延续舞蹈，在基本规则上即兴创作。快乐的情绪不断渲染，在活动结束后也久久难以散去：返场的encore、相互合影、加社交软件、相约下一场活动——人与人、人与自身的关系被重新建构。

 

此次活动是“局外人”系列活动的第三期。2019年，上海玻璃博物馆正式开启针对艺术展览阐释方式的“局外人”系列活动，邀请不同领域的创意工作者，从不同视角再次解读艺术展览。针对展览《光域》，前两期活动先后邀请了南方科技大学的袁长庚老师与同济大学创意设计学院的陈逸云老师，分别从医学人类学以及设计角度对该展览进行解读。上海玻璃博物馆希望通过这样的多元活动，为观众呈现另一种看待世界的方式，激发观众对艺术作品更加深刻的认识。

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“Outsider” No.3:

Planetary Dance

October 22，2019

 

 

How to face the decease of beloved in life? Australian artist Richard Whiteley gives his answer in an artistic approach. Witnessed the decay of health of his parents and they departed this life, Richard Whiteley had a unique perspective to observe and read their X-ray films, and therein created several latest works accordingly in his solo exhibition, Illuminated Space.

October 13, 2019, the last day before the closure of exhibition, Shanghai Museum of Glass cooperated with Natural Art Festival, World Hospice and Palliative Care Day and Shanghai Women’s Federation, hosted the “Outsider” series event in the Museum Park. Started from the exhibition Illuminated Space and under the mainline of “farewell”, we invited Ms. Marguerite Etemad, an established art-therapist, and Ms. LU Lu, graduate of Drama, Theatre and Dance MA by Research, Royal Holloway, University of London, to lead the participants to experience art through body and farewell depression through dance, in the form of “Planetary Dance”.

At the beginning, the participants gathered on the meadow under the exhibition hall, sensed the birdsong and fresh air, how sunlight crossed the leaves, experienced the surroundings without phones and words. Later, Marguerite and Lu brought the audience a special guide of Illuminated Space – Solo Exhibition by Richard Whiteley. Each participant was asked to appreciate the sculptures in silence, observe the change of light and shadow therein, and remember their feelings at that moment, which would be utilized in the following workshop. After the visiting, the participants came to Rainbow Chapel, learnt the “Life/Art process” art expression therapy and “RSVP Cycles” Creative Processes. Based on their feelings on the Exhibition, the participants were divided into 5 groups to create dance, painting and poem, and to conflate these extemporaneous pieces into a play, under the themes of “universe”, “organic”, “life cycle”, “fate · forgiveness · acceptance” and “Final Destination”.

After the break, Marguerite Etemad taught the “Planetary Dance”, explained its origin, purpose and rule. Under the echoes of drum, the participants started the practice and rehearsal. On the outdoor Art Plaza, the passersby were impressed and joined in the dance. Everyone was dancing for love and peace, and released pressure on the reverse. “Planetary Dance” is a dance with purpose, everyone dance for others rather than himself. With this pray and hope, the participants kept dance as long as possible and extemporaneously based on the basic rules. The mood of happiness was kept rendered and shared, which was not dissipated long after the end of event: encore, selfies, adding on social media, and make a rendezvous for next event – both the relationship between one and others and one and himself has been reconstructed.

This event is the third of the “Outsider” series. In 2019, Shanghai Museum of Glass initiated the art exhibition interpretation focused series event “Outsider”, inviting creative workers from different fields to re-interpret art exhibition from different perspectives. Aiming on the Illuminated Space, for the past two events we invited Dr. YUAN Changgeng, Assistant Prof. of Southern University of Science and Technology, and CHEN Yiyun, Lecturer of College of Design & Innovation, Tongji University, to interpret this exhibition from the angle of medical anthropology and design respectively. Through these diversified events, Shanghai Museum of Glass hopes to present to the audience another way to recognise the world and intrigue a deeper understanding to the art.

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上海玻璃博物馆十一特别表演
National Holiday Special Performance at SHMOG

2019年10月17日 / no comments

上海玻璃博物馆十一特别表演

2019年10月17日

 

 

 

金秋来袭，2019年十一黄金假期间，上海玻璃博物馆于10月1日、10月4日、10月6日在艺术广场上举办特别表演活动“Golden Night”。活动旨在联结参观者与博物馆户外空间，让参观者度过一个音乐逍遥夜。

 

整场表演由荧光舞与爵士乐穿插构成。荧光舞者首先通过舞动光剑产生光圈特效，渐暗天色之下，绚烂的闪光与夸张的动作吸引了观众们的好奇。而后来自白俄罗斯的梦龙乐队即兴表演了Havana、We Don’t Talk Anymore、Attention等曲目。为了让观众尽情享受演出，博物馆园区穆拉诺西餐厅在广场上开放了“咖啡铺”，提供各式酒水饮品。

 

这已经不是上海玻璃博物馆第一次将文化体验活动与园区艺术空间相结合。“Golden Night”是上海玻璃博物馆致力于促成观众从传统馆内学习走向馆外的转变，让博物馆成为一种生活方式，这一愿景的新尝试。

 

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National Holiday Special Performance at SHMOG

October 17, 2019

 

 

In the beginning of golden autumn, Shanghai Museum of Glass hosted three special “Golden Nights” with music and dance on the Art Plaza, in the evening of October 1, 4 and 6 respectively in the National Holiday. The event aims to connect museum visitors and museum outdoor space, bringing the visitors a promenade music night.

 

Jazz and dance intertwined, composed the whole performance together. Danced with the fluorescent accessories, the illuminated dancers attracted audiences by light effects and hilarious gestures. The dance is followed by the live music of Dream Dragon Band, a Shanghai based Belarusian Jazz Band. They brought an impromptu performance including songs such as Havana、We Don’t Talk Anymore、Attention. In addition, the Museum Restaurant Murano opened the Café Stand on the Art Plaza, providing beverages to the visitors.

 

This is not the first time that Shanghai Museum of Glass tries to combine cultural experience activities and museum outdoor spaces. The event “Golden Night” is a new attempt to transform museum experience from indoor to outdoor, and as such, to develop museum into a lifestyle.

博物馆艺术公寓2.0上线
Museum Art Apartment 2.0 Released

2019年8月27日 / no comments

博物馆艺术公寓2.0上线

2019年8月3日

 

 

 

2019年3月27日，全中国唯一一所坐落于博物馆、由博物馆团队自主运营的博物馆艺术公寓正式上线。在广大热爱文艺、热爱新鲜事物朋友们的积极响应下，同年8月3日，博物馆艺术公寓2.0上线，园区内房源总量达到4间。

 

博物馆艺术公寓室内设计均由德国建筑设计事务所协调亚洲亲自操刀。位于上海玻璃博物馆园区内珂庐二楼的两间公寓保留了工厂仓库的基因，用砖石、水泥和挑高的天花板等强烈工业感符号，同时又借助装饰画和暖光源反差营造了温暖的室内空间。与博物馆主馆“幻梦厅”一墙之隔的两间公寓则大面积运用镜面，创造出独特的未来感空间。此外，2.0的两个房间增添了一处温馨的客厅公共区域，方便亲友结伴入住。

 

在高度注重用户体验的时代，上海玻璃博物馆大胆将私人空间与艺术空间结合，引入了参与式博物馆理念。这不仅是一个单纯的住宿项目，而是从设计、定位、经营各个角度，全方位凸显高辨识度与高差异化的艺术特色服务，传递了“博物馆生活方式”态度。从城市的客厅到文化的绿洲，从精神的家园再到心灵的栖息之所，博物馆艺术公寓的出现，正是满足了公众对于博物馆功能日益增长的情感需求。

 

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Museum Art Apartment 2.0 Released

August 3, 2019

 

 

On March 27, 2019, Museum Art Apartment, probably the only guest house located in the museum in China and run by museum staffs, was launched. Under the positive response of those who love art and new things, we updated the Museum Art Apartment into 2.0, reached four guest rooms altogether.

The interior design of Museum Art Apartment was executed by COORDINATION Asia Ltd. The two apartments located on the second floor of KLIN building, keep the original warehouse design gene and convert industrial marks such as brick, cement and high ceilings; at the same time, decorative prints and warm lights make the apartments cozy, domestic and warmth. The other two apartments, next to the Dreams Hall of Museum, deploy mirror extensively to create a unique futuristic space. In addition, Museum Art Apartment 2.0 adds a new living room and common space which links two rooms, suitable for friends and family come together.

In a period highly value consumer’s experience, Shanghai Museum of Glass boldly integrates private space and art space, incorporating the concept of participatory museum. Museum Art Apartment is not only an accommodation project, but also putting forward a highly recognizable and differentiated artistic service from many aspects including design, positioning, management, in order to transmit the idea of “Museum Lifestyle”. From a city salon to a culture oasis, from a spiritual homeland to a rest place for mind, the debut of Museum Art Apartment fulfills the increasing emotional need on museum functions.

 

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上海玻璃博物馆策划即兴心理剧“破碎之光”
Psychodrama “The Light of Broken Glass” Organized by Shanghai Museum of Glass

2019年8月23日 / no comments

 上海玻璃博物馆策划即兴心理剧

“破碎之光”

2019年8月2日

 

 

 

2019年8月2日，上海玻璃博物馆在水晶厅策划了一场大规模的即兴心理剧，活动由赖念华博士带领，毛思翩女士提供特别摄影支持。本次情境艺术疗愈互动基于玻璃脆弱、易碎等特性，探讨了人类生命中挫折、失败和痛苦的破碎之光。

 

当夜，在专业老师们的带领下，全场近百名人员兼具旁观者与参与者的双重身份，纷纷投入这场特别的戏剧表演之中。当内在的生命事件如困顿、苦境、束缚一一再现之时，观众们重新体验自我思想、情绪、梦境以及人际关系，并跟随剧情的推进，接触、释放、觉察、分享自我的所思、所行与所言。

 

本次特别活动与上海玻璃博物馆于2018年6月推出的“BRKN破碎”大展息息相关。“破碎”，这个带有消极意味的行为，在各个领域拥有丰富且多变的蕴意，而富有转化为某种积极价值导向的可能性。通过心理剧的方式，我们再一次解析并反思了破碎的意义，并学会拥抱破碎绽放的光芒。

 

秉持“蜕变逐新不止步”的理念，上海玻璃博物馆在履行研究、展览、教育三大基础职能之上，将不断探索前所未有的艺术活动形式，吸引不同的观众们走进博物馆，深耕前卫非凡的审美体验。

 

Psychodrama “The Light of Broken Glass” Organized by Shanghai Museum of Glass

August 2, 2019

 

 

 

On August 2nd, Shanghai Museum of Glass organized a large scale impromptu psychodrama. The psychodrama was headed by Dr. LAI Nien-Hwa and filmed by Mao Sipian. Derived from the intrinsic character of glass, namely fragile and brittle, this art therapy discussed the frustration, failure and bitterness in human life, as well as the light and possibility hides in the broken.

In the night, under the guidance of specialists, almost one-hundred participants, as both audiences and performers, joined in this unique drama. When life experiences such as exhaustion, plight and fetters were put on the stage, the participants experienced their thoughts, feelings, dreams and social relationship again. Alongside with the plot developed, they could sense, release, perceive and share what they thought, executed and uttered.

The play was closely connected with the BRKN exhibition which opened in June 2018. Broken, an act that contains negative meaning, yet possess versatile connotation in various areas, has rich possibilities to be transformed into something positive orientated. Through the psychodrama, we analyzed and rethought the meaning of broken, and learnt to accept and embrace the light behind it.

Followed the idea of “never stop exploring”, besides implementing the basic duties of research, exhibition and education, Shanghai Museum of Glass will keep exploring new artistic event forms, to attract different visitors come to the museum and foster avant-garde aesthetic experience.

上海交响乐团“全城交响”奏响上海玻璃博物馆
Across The City: SSO Polaris String Quartet Strikes Up In Shanghai Museum of Glass

2019年8月22日 / no comments

上海交响乐团“全城交响”

奏响上海玻璃博物馆

2019年6月29日

 

 

2019年6月29日，上海交响乐团140周年特别活动“全城交响·上交为你而来”（SSO Across The City）在上海玻璃博物馆新建艺术广场户外舞台如期举行。

 

上交北极星弦乐四位演奏家，由大提琴黄北星领衔，汇集了中提琴首席刘子正、小提琴演奏员苏婷、武奥列，带来了《切分音的钟》、《辛德勒的名单》、《虎口脱险》、《在水一方》、《闻香识女人》、《花样年华》、《天空之城》等一系列脍炙人口的电影曲目的高水准演奏。尽管天公不作美，暴雨连连，现场依旧有无数音乐发烧友闻讯而来，更有多家国内外媒体人、乐评人亲临现场，共同见证了玻璃空间与电影音乐的精彩对话。

 

作为“博物馆新生活美学”的倡议者，上海玻璃博物馆于八周年之际，倾情打造了工业风十足的艺术广场和户外舞台，旨在以多姿多彩的文化体验活动，装点肃穆井然的艺术空间。本次上海玻璃博物馆与上海交响乐团的奇妙相逢，正是理念不流于形式，博物馆致力于贯彻成为一种生活方式的体现。

 

 

Across The City: SSO Polaris String Quartet Strikes Up In Shanghai Museum of Glass

June 29, 2019

 

 

In the night of June 29, Shanghai Symphony Orchestra: Across The City performance, part of the orchestra’s 140th anniversary celebration projects, held on the new built Outdoor Stage, Art Plaza in Shanghai Museum of Glass Park as scheduled.

Leaded by cellist HUANG Beixing, with principle viola LIU Zizheng, violinist SU Ting and WU Aolie, four musicians from SSO Polaris String Quartet performed a series of film scores which enjoy great popularity, including The Syncopated Clock, Schindler’s List, La Grande Vadrouille, The Unforgettable Character, Scent of a Woman, ‎In the Mood for Love and Laputa: Castle in the Sky. Even though it rained heavily, many enthusiasts came to the Outdoor Stage for the performance, enjoyed the film scores in a unique glass space.

As an advocator of “Museum Aesthetic New Life”, Shanghai Museum of Glass built the industrial designed Art Plaza and Outdoor Stage on its eighth anniversary, aiming to light up the solemn art space with colourful cultural experiences and activities. The encounter between Shanghai Museum of Glass and Shanghai Symphony Orchestra is an application and demonstration of the idea: bringing the museum into a lifestyle.

 

上海玻璃博物馆闪现草莓音乐节
Shanghai Museum of Glass Jumped Out At Strawberry Music Festival

2019年8月21日 / no comments

上海玻璃博物馆闪现草莓音乐节

2019年4月28日

 

 

 

 

2019年4月26日至28日，上海玻璃博物馆闪现草莓音乐节上海站现场，首次馆外展出馆藏由Jamie Hayon为法国品牌Baccarat所设计的《石榴心》，并现场展示“玻心璃语”品牌旗下玻璃工艺品若干件。

 

在为期三天的音乐节期间，“水晶糖果”系列之《石榴心》独特的造型引起了诸多音乐爱好者们纷纷驻足，不少人走上展台和玻璃艺术们合影留念。柔和的白色陶瓷与闪亮的红宝石水晶玻璃形成鲜明对比，表现出强有力的视觉冲击性。而《石榴心》本身跨越设计艺术界限的超前内涵，也正恰合于“高冷气质博物馆”与“另类天性音乐节”二者的合体。艺术品若是囿于一方，日复一日锁在既定的空间内，只是徒生尘埃。集繁荣、渴望等寓意为一体的石榴，也象征着上海玻璃博物馆另辟蹊径以接触、感知、满足年轻人精神需求的美好心愿。

 

通过“博物馆+音乐节”的大胆合作，上海玻璃博物馆又实现了一次自我突破，即挣脱传统场域的束缚与惯性的观展形式，寻找博物馆新对象与新观众。在未来，上海玻璃博物馆也将持续借由玻璃这一介质，将美学力量注入普罗大众的生活之中，让博物馆成为一种生活方式。

Shanghai Museum of Glass Jumped Out At Strawberry Music Festival

April 28, 2019

 

 

Between April 26 and 28, Shanghai Museum of Glass popped in Strawberry Music Festival Shanghai Station. Designed by Jamie Hayon, museum collection Nuclear Pomegranate vase was exhibited in the festival, alongside with glass design products of “Let’s Talk Glass” studio.

In the three-day festival, the unique design of Nuclear Pomegranate vase from the “Crystal Candy” series attracted the notice of visitors and music enthusiasts, many of them stepped on the stage and took selfies with the glass art. The juxtaposition between tender white ceramic and bright ruby crystal glass formed sharp contrast, performing strong visual impact. Meanwhile, the avant-garde character of Nuclear Pomegranate that transcending the boundary between art and design is identical with the combination of “Museum” and “Musical Festival”. Constrained and locked in a fixed space, day after day, nothing would be decorated on art but dust. Pomegranate, signifying prosperity and aspiration, symbolizes the wish of Shanghai Museum of Glass that to find other ways to touch, sense and satisfy the need of young generation.

Through the bold cooperation of “Museum + Music Festival”, Shanghai Museum of Glass accomplished another self-breakthrough, to get rid of constrain of traditional exhibiting space as well as the inert exhibition form, and to find new target and audience of museum. In the future, Shanghai Museum of Glass will continue injecting aesthetic power to everyday mundane life, making museum a sort of lifestyle.

上海玻璃博物馆与腾讯音乐打造跨界合作艺术展
Shanghai Museum of Glass x Tecent Music Entertainment, A Cross-border Art Exhibition

2019年8月21日 / no comments

上海玻璃博物馆

x 腾讯音乐

打造跨界合作艺术展

2019年3月24日

 

 

2019年3月24日，上海玻璃博物馆与腾讯音乐首次携手，举办限时三周的跨界艺术展“寻韵山水涧·流动”，于上海玻璃博物馆园区爱庐彩虹礼堂拉开帷幕。

 

当日下午，商界、音乐界、艺术界的诸多业内闻人齐聚一堂，包括上海玻璃博物馆馆长张琳、腾讯音乐娱乐集团版权商务总监李凯、DTS大中华区总经理郎正武、中国演出行业协会秘书长潘燕、万泰和兴科技有限公司董事长袁丁等在内，共同见证了玻璃艺术、传统音乐与新型科技多方碰撞的结晶。

 

本次展览的主旨为“交融/熔合”。基于同音乐人的访谈，艺术家王沁从入选的来自不同音乐人的六首作品之中汲取灵感进行玻璃艺术作品的创作，通过玻璃创作具象化歌曲中传递的精神内涵。雕塑和音乐一一对应，分别为彝族歌手贾巴阿叁的《晨曦》、蒙古族热地乐队的《被宠坏的孩子》、回族歌手满馨蔚的《大山人》、苗族歌手龙瀑和田应昌的《梵净山下》、蒙古族祖鲁乐队的《战马》和蒙古族肃腾乐队的《吉祥颂》。

 

人是音乐的核心，无论是作为音乐人、观众、还是艺术家，多个领域多个社群的交融汇集，势必为少民文化缔造再度繁荣的契机。本次尝试不仅是对于民族音乐的突破性演绎与诠释，一次对传承方式的创新，更是延续上海玻璃博物馆“分享玻璃无限可能”的一贯理念，为玻璃艺术带来更多深层的文化内涵。在未来，上海玻璃博物馆也将继续保持多元合作，让玻璃艺术持之以恒地具有打动人心的力量。

 

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Shanghai Museum of Glass x Tecent Music Entertainment

A cross-border art exhibition

March 24, 2019

 

 

On March 24, the cross-border art exhibition Flowing made its debut at the Rainbow Chapel, Shanghai Museum of Glass Park. Exhibiting for three weeks, it was the first time that Shanghai Museum of Glass collaborated with Tecent Music Entertainment.

At the opening of exhibition, the famous figures from business, music and art, including ZHANG Lin, Director of Shanghai Museum of Glass, LI Kai, Copyright Commercial Director of Tecent Music Entertainment Group, Christopher Lang, General Manager of Greater China of DTS, PAN Yan, Secretary General of China Association of Performing Arts, and YUAN Ding, Chairman of RECO, gathered in the Rainbow Chapel and witnessed the collaborative fruit of glass art, traditional music and new technology.

“Fusion” is the theme of the exhibition. Through the interview with the musicians, artist WANG Qin derived inspiration from the six selected compositions of six different musicians, and transformed the abstract music spirit into solid glass sculptures. The sculptures are named after the compositions: Dawn Light by Yi ethnic singer Guba Ahsan, The Spoiled Child by Mongolian Band Rid, The Mountain People by Hui ethnic singer MAN Xinwei, At the Foot of Mount Fanjing by Miao ethnic singer LONG Pu and TIAN Yingchang, War Horse by Mongolian Band ZUL and Ezen Sang by Mongolian Band Suutan.

It is the people that are the core of music art. No matter as musicians, audiences or artists, the encounter and mingling of those from multiple areas and multiple communities would rejuvenate the minor ethnicity culture. This exhibition is not only a groundbreaking interpretation of traditional folk music, an innovation in inheriting heritage, but also an application on the idea of “sharing the infinite possibilities of glass”, which brings further culture dimension to glass art. In the future, Shanghai Museum of Glass will keep on diversified cooperation to empower glass art with impressive inspiration.

 

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上海玻璃博物馆户外艺术广场开幕暨八周年庆
OPENING OF OUTDOOR ARTPLAZA AND EIGHTH ANNIVERSARY OF SHMOG

2019年6月27日 / no comments

上海玻璃博物馆户外艺术广场开幕

暨八周年庆

2019年6月22日

 

走出既有框架，寻找新生活美学

 

2019年6月22日，上海玻璃博物馆迈向启馆8周年纪念。为此，我们准备了一系列庆典活动，邀请来自国内外的众多艺术、设计及文化界嘉宾，以及观众们，一同庆祝并见证户外广场的华丽开幕。

 

继往年以“破碎”作为7周年的突破，诠释了玻璃“脆弱”及“易碎”的固有特性，极大地拓展了玻璃原有的定义和格局，联系到我们身而为人同样也有脆弱的一面。这耳目一新之作继续探索玻璃的无限可能，令观众有更切身、深刻的感受及反思。

 

然而在8周年，上海玻璃博物馆转往“共享社群化”这个创馆理念突破。我们一直秉持“营造并共享博物馆美学新生活”的理念，希望以玻璃为媒介，延伸至每个人的生活。人们对博物馆既有的认知都是刻板的感觉，在一个封闭空间里展示艺术珍品。因此，我们在今年走出既有的空间限制，创造了一个开放式艺术广场，颠覆以往人们对于艺术储藏馆的固有认知。这也令园区融合了博物馆艺术设计展览及园区文化休闲项目，让艺术走出博物馆，跟大众有更近距离的接触, 让他们感受到艺术从无到有的奇妙过程。同时让参与者与艺术家站在一起，引起交流与互动。

 

在馆庆当天，上海玻璃博物馆准备了一系列活化园区的文化表演。现代舞舞者展现了为博物馆度身定制的优美舞姿，外籍乐队弹唱了一首首动人的乐曲，小丑为孩子们编制了一个个造型气球……无论是小孩，还是大人，都不亦乐乎。而当晚在广场里，嘉宾们欢乐对谈，享受着精彩的乐队、水晶杯和热力表演。大家都流连忘返，沉醉于欢乐及轻松的氛围里。这些效果亦跟我们8周年的标题“艺游未尽”一样，意在观众参观博物馆过后，还是感觉意犹未尽。

 

作为8周年的突破，我们想传达艺术也可以贴近生活，亲近观众，博物馆也可以脱下严肃的面具。不只是视觉上的艺术展示，而是把艺术延伸至大众的生活，让观众多一些欢笑，多一些真实的快乐与感动。在突破的同时，不忘初心，继续用心打造新生活美学的氛围，以及向我们追求的愿景和宏大目标“成为一座影响世界的博物馆”进发。

OPENING OF ARTPLAZA AND

EIGHTH ANNIVERSARY OF SHMOG

June 22, 2019

 

Jumping outside the box, Working for aesthetic new life

 

On 22nd June, 2019, Shanghai Museum of Glass ushered in its eighth anniversary. We prepared a series of celebrating activities and invited guests from arts, design, and cultural sectors at home and abroad and also the public, to share this moment and witness the grand opening of our outdoor plaza.

Since last anniversary’s breaking through in “BRKN”, interpreted glass inherent properties of vulnerability and fragile. This exhibition has greatly expanded the original definition and structure of glass, and also linked to one self’s vulnerability as a human. Such brand-new work continued to explore infinite possibilities of glass and gave visitors a more personal and profound experience and reflection.

Yet, in this year, Shanghai Museum of Glass tries to break through in “sharing community” which is one of our visions. Under the principle of “Creating and Sharing Museum Aesthetic New Life”, we hope to integrate glass into everyone’s life. People usually have a typical image towards museum: inflexible and showing art pieces inside an enclosed space. Therefore, we have jumped outside the space limitation and created an outdoor plaza, in order to overturn such perception. By blending the art and design exhibitions in the museum and entertainment programs in the other areas, art can be shown even outside the museum. We can have a much closer relationship with the public, letting them to experience art from 0 to 1 and interact with artists there.

On the day of celebration, there were varies of cultural performances to revitalize the park. Elegant and tailor-made performance by modern dance performers, wonderful melody performed by foreign band, balloon modelling for kids by crown, etc., everyone was having fun here. And all guests spent a jolly and unforgettable evening together, chatting and enjoying amazing band, crystal glass and radiance glass performances, indulging in the delightful and relaxing atmosphere. Just like our headline for eighth anniversary -“Dare to be wild”, aimed at letting visitors to get in touch with the nature and interact with strangers and leave an impressive memory after visiting our museum.

Through this breakthrough, we hope to spread a message that art can be part of our life and museum is not as formal as the majority thinks. We are not just showing art visually, but also integrating art into everyday life, giving out more realistic joy and feeling to our visitors. We will stay gold at a time we are having new attempts, continue in building up atmosphere of aesthetic new life, and of course, achieving our ultimate goal of becoming an influential museum worldwide.

光域 Richard Whiteley中国首展亮相上海玻璃博物馆
Illuminated Space, Richard Whiteley’s First Chinese Exhibition Shown in Shanghai Museum of Glass

2019年6月19日 / no comments

光域  Richard Whiteley中国首展亮相上海玻璃博物馆

2019年6月19日

 

 

2019年4月28日14点，理查德·怀特利中国首展“光域”于上海玻璃博物馆设计新馆二楼临展厅正式拉开帷幕。该展览由上海玻璃博物馆主办、霍莉·威廉姆斯（Holly Williams）策展。

 

“光域”是澳大利亚国立大学副教授、艺术家理查德·怀特利先生（Richard Whiteley）在中国的首次个展。作为澳大利亚重要的玻璃艺术家之一，理查德·怀特利惊人地在其作品中统摄了内涵、材料与工艺，向我们展示了作为国际顶级水准玻璃艺术家的高超技艺。

 

此次展览“光域”展出的16件作品意在探索三个主题：有机的身体结构，建筑的虚空间，以及想象的理想空间。

 

艺术家理查德·怀特利表示：“我的作品建立在对玻璃特质和光线传播的理解与把握之上…展览中的一些作品有着有机的身体形态，以此让我们意识到我们的那一种想要窥视自己的身体，抑或别的系统的内部情形的愿望。”

 

在展览开幕式当日，怀特利先生为首批观展的VIP观众们亲自导览，深度解读了16件艺术作品，并同上海玻璃博物馆馆长张琳先生先后致辞。到场嘉宾和专业观众们均对展览的专业水平与艺术价值给予了充分肯定。

 

自上海玻璃博物馆建馆以来，我们形成了围绕“国际玻璃工作室运动”为核心主题的艺术家展览，广泛邀请国际艺术家展现玻璃材料的无穷魅力和创作理念。

Illuminated Space, Richard Whiteley’s first Chinese exhibition shown in Shanghai Museum of Glass

June 19, 2019

 

 

Illuminated Space, Richard Whiteley’s first Chinese exhibition, was officially begun inside Temporary Exhibition Hall on 2/F of Design Wing in Shanghai Museum of Glass at 2pm on 28th April 2019. This exhibition was held by Shanghai Museum of Glass, curated by Holly Williams.

Illuminated Space is the first Chinese individual exhibition of Richard Whiteley, who is an associate professor of The Australian National University and an artist. Being one of Australia’s foremost kiln cast glass artists, he unites connotation, material and craftmanship into his artworks amazingly, showing us his high-end craftmanship as an international top kiln cast glass artists.

Illuminated Space has shown 16 artworks which are aimed to explore three key themes: organic bodily structures, architectural voids and an imagined ideal of space.

Richard Whiteley expressed that “My work is underpinned by understanding and manipulating the properties of glass associated with light transmission… The organic, corporeal gestures in some of the pieces in this exhibition are a reminder of our desire to see within and know the inner workings of our bodies or other systems.”

On the day of opening, Richard Whiteley guided for the first VIP audiences personally, deeply explained these 16 masterpieces and made a speech with Mr Zhang Lin, director of Shanghai Museum of Glass respectively. Both guests and audiences highly appreciated the exhibition’s professionalism and artistic value.

Since the establishment of Shanghai Museum of Glass, we have formed an artist exhibition centered on “International Glass Studio Movement”, which invites international artists to showcase the infinite charm and create concept of glass.