All Posts in “2019年”

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“消失的艺术家”
The Vanishing Artist

2019年12月31日 / no comments

“消失的艺术家”

2019年12月31日

 

结合角色扮演与破案推理的“剧本杀”是一种新型休闲娱乐方式。上海玻璃博物馆根据当前特别展览，创作了相应原创剧本——“消失的艺术家”。2019年12月24日晚平安夜，博物馆内就出现了这样一个推理故事：艺术家和其最新创作的作品消失了，而参观者需要帮助博物馆找到他们……

 

围绕着“博物馆”的选题，我们设计了性格迥异的角色，比如“艺术家都是宝贝的馆长”、“没有感情的摄影师”、“精通小道消息的记者”等等。他们置身于真实的“展览开幕”现场，作为馆内犯罪“嫌疑人”，和玩家互动。这些NPC（Non-Player Character非玩家角色）由博物馆各部门工作人员扮演，分散在博物馆园区各个场馆，从而引领玩家浏览玻璃迷宫、 “BRKN破碎”特展，H18当代艺术馆等。

 

参与者扮演的“侦探”需要通过勘察“案发现场”，发掘信息、交流搜证、推测动机，寻找失踪事件背后的隐情。在跌宕起伏的情节中，玩家可以身临其境感受各个人物的心路历程。在游馆过程中，玩家需要认真观察、揣摩和故事相关联的艺术作品，抽丝剥茧角色内心不为人知的秘密。剧本执笔人融入了弗洛伊德经典概念“本我、自我和超我”，而“侦探”必须在三小时内完成最终的凶手指认。此次“剧本杀”活动共吸引了大约400名观众。

 

在由剧本构造的世界之中，为推动剧情发展，观众们不得不改变原先的参展方式，这个体验从而更为互动、娱乐与深度。剧本杀爱好者转化为博物馆的实体观众人群，扩充博物馆受众的同时也刺激了夜间经济的增长。未来，上海玻璃博物馆将继续提炼艺术作品中可以二次阐释、二次创作的内涵，引发人们对于社会热点或复杂人性的深思与关注，将博物馆以更多元方式呈现给不同爱好者群体。

“The Vanishing Artist”

December 31, 2019

 

Murder Mystery Game is an entertaining party game which combines role-playing and investigation. Based on the current exhibition, Shanghai Museum of Glass developed an original story – The Vanishing Artist. That was what happened on the Christmas Eve, December 24, 2019, in Shanghai Museum of Glass: the artist and her latest created work were disappeared, and visitors could help the Museum to find them……

Focused on the topic of “Museum”, we designed various characters, such as “Artists are Treasures – Museum Director”, “Indifferent – Photographer”, “Hearsay Master – Journalist”, etc. They waited at an authentic exhibition opening scene, played the roles of crime suspects and interacted with players. These Non-Player Characters were played by museum staffs from several departments, and scattered in different galleries in the Museum, to guide the players to visit the Maze, Exhibition BRKN and H18 Contemporary Art Hall.

Playing the role of “detective”, the players have to survey the “Crime scene”, unearth the information, collect the proof, suspect the motivation, and find out the truth behind the crime. In the dramatic story, players could go through the situation personally and experience the feeling of each character. In addition, in the process of visiting, players also have to observe and fathom out the correlated exhibits, wherein hide the clue and secret of characters. The playwright fuses the concept of “id, ego, superego” into the story, and the “detective” has to find out the “murderer” in three hours. This murder mystery game has attracted about 400 participants in total.

In the constructed atmosphere of murder mystery game, visitors have to change the traditional exhibition-seeing ways to follow the plot, which leads to a more interactive, entertaining and deep experience. As such, the participants of murder mystery games became the audience of the Museum, not only enlarging the target visitors but also stimulating the night economy. In future, Shanghai Museum of Glass will keep distilling the possibilities of re-interpretation and re-creation of the museum collection, to intrigue the reflection on social issue and humanity, and present the Museum to audience in various fandom groups in multiple ways.

上海玻璃博物馆“UN-GLASS/撤璃”展览开幕
Exhibition UN-GLASS opened in SHMOG

2019年12月19日 / no comments

上海玻璃博物馆“UN-GLASS/撤璃”展览开幕

2019年12月19日

 

 

 

 

2019年12月7日,概念展览“UN-GLASS/撤璃”于上海玻璃博物馆设计新馆二楼临展厅正式拉开帷幕。该展览由上海玻璃博物馆设计总监迪尔曼·图蒙（Tilman Thürmer）进行策展和设计。

 

继2018年“BRKN/破碎”国际创意玻璃设计展第三季，探讨了玻璃“破碎”的特质之后，第四季“UN-GLASS/撤璃”旨在呈现一个抹除一切玻璃痕迹的展览。十四组兼具场景感与互动体验性的展项，将邀请所有观众步入一个“没有玻璃”的世界。

 

迪尔曼·图蒙（Tilman Thürmer）认为，“玻璃对人类的影响和意义远超其物质性，它改变了我们观看世界和自身的方式。这一既向内又朝外的特殊视角促使我们反观自身，也启发我们探索未知。”

 

自2011年建馆以来，上海玻璃博物馆始终致力于呈现玻璃的无限可能。这一开放性概念展为人们提供了一个机会，以重新发现玻璃在现代生活中是何等不可或缺。展览将持续至2020年3月29日。

Exhibition UN-GLASS opened in SHMOG

December 19, 2019

 

 

 

On December 7, 2019, conceptual exhibition UN-GLASS was unveiled on Level 2, Design Wing. The exhibition is curated and designed by Tilman Thürmer, Design Director of Shanghai Museum of Glass.

 

Followed by the exhibition BRKN, Keep It Glassy 3 that probes the “broken” of glass, Keep It Glassy 4 “UN-GLASS” aims to present an exhibition that erases the existence of glass. Fourteen sets of exhibits both spectacle and interactive, invite the audience to immerse in a world “without glass”.

 

As Thürmer states in the preface, “The impact and meanings that glass brought to humans have stretched far beyond its materiality. Glass changes the way we see the world and ourselves. This unique vision that goes both inwards and outwards has motivated us to reflect on ourselves as well as inspired us to explore the uncharted territories.”

 

Since its establishment in 2011, Shanghai Museum of Glass has constantly dedicated for presenting the infinite possibilities of glass. This mind-open conceptual exhibition provides an opportunity to rediscover the ubiquity of glass in modern society. The exhibition will open until March 29, 2020.

上海玻璃博物馆2019：童声点亮圣诞树
SHMOG 2019：Christmas Choir under Glass Tree

2019年12月19日 / no comments

上海玻璃博物馆2019：童声点亮圣诞树

2019年12月18日

 

 

 

 

2019年圣诞到临之际，上海玻璃博物馆献上一份独一无二的礼物——一棵用2504支风铃做成的玻璃圣诞树。这棵圣诞树名为“霓音”，由博物馆“玻心璃语”团队设计，上海玻璃博物馆全体员工亲手制成。“霓”字形容雨后出现在虹外侧的弧形光环。“音”则表示2504只风铃随风舞动，碰撞出的和谐乐章。

 

12月7日，上海玻璃博物馆以馆校合作的形式荣幸邀请到了德威国际学校的梅兰芳合唱团。孩子们齐聚于璀璨闪耀的玻璃圣诞树之下，为来往的观众合唱了圣诞歌曲。表演过后，同学们参观了上海玻璃博物馆。知识性与趣味性相结合的展陈激发了人们对于玻璃的好奇和热爱，大家重新领略了玻璃的魅力。

 

次日，上海玻璃博物馆举办了一个小型的圣诞树点灯仪式。现场热气腾腾的圣诞红酒和丰富美味的自助小食驱散了凛冽的寒风，悦耳的玻璃风铃声响回荡在冬日广场上。

 

童声点亮圣诞之树，上海玻璃博物馆所筹备的一系列2019圣诞季特别活动拉开序幕。当玻璃圣诞树一圈接一圈被照亮，我们相信新年的梦想与希冀也能在所有人心中持续燃烧发光。

SHMOG 2019：Christmas Choir under Glass Tree

December 18, 2019

 

 

 

In the arrival of Christmas 2019, Shanghai Museum of Glass has prepared a unique gift – a grand glass Christmas tree which made of 2504 pieces of glass wind chimes. It is named as The Tune of Rainbow, designed by the Let’s Talk Glass team and crafted by all staff of the Museum. “Rainbow” describes the pearl-like iridescent layer applied on glass; and “tune” stands for the harmonic movement which composed by 2504 pieces of glass wind chimes.

On December 7, Shanghai Museum of Glass was honoured to invite the Mei Lan Fang Choir, Dulwich College Shanghai, in the form of Museum-School cooperation. The children gathered under the glittering glass Christmas tree and sang season’s greetings for the visitors and passersby. After the performance, the little musicians visited Shanghai Museum of Glass together. The exhibition that combines knowledge and fun arouses the interest and love on glass; everyone re-discovered the charisma of glass therein.

Next day, the Museum hosted a small-scale lighting ceremony. Mulled wine and finger food was serviced and the coldness was driven by the hot drinks. The sweet sound of wind chimes hovered around the winter’s plaza.

When children’s voice enchanted the tree of Christmas, a series of Christmas celebrating activities organized by Shanghai Museum of Glass made its debut. When the glass Christmas tree was lit up row by row, we wish New Year’s dream and hope would be enlightened in everyone’s heart.

上海玻璃博物馆携手同济大学讲述《扩展叙事》
SHMOG X D&I: Expanding Narratives

2019年12月18日 / no comments

上海玻璃博物馆携手同济大学

讲述《扩展叙事》

2019年12月18日

 

 

《扩展叙事》是同济大学设计创意学院设计历史与批评课程学生们的作业，该课程由陈伯康（Aric Chen）教授及潘爱心（Azinta Plantenga）助理研究员指导。上海玻璃博物馆设计总监迪尔曼•图蒙（Tilman Thürmer）以及策展人陈怡君受邀评论学生们的发表报告。

 

2019年12月5日，该合作项目在上海玻璃博物馆向社会公开。学生们被要求在上海玻璃博物馆导览参观后，选择一件展品，并介绍两件博物馆外的物品以支持他们各自的新叙事。 在设计总监和策展人致辞后，学生们一同将各自的展板搬运至博物馆展厅内。这项令馆校双方都深受启发的作业成果展示于学生所选择的展品旁边。观众们也可以看到另一种别样诠释作品的角度。通过这样的练习，学生不仅储备了设计历史和理论的入门知识，也能锻炼将设计置于更广泛社会历史和当代现象中的批判性思维。

 

透过这次成功的合作，学生们根据玻璃展开的新颖思考为博物馆添增了叙事层次。《扩展叙事》不仅建立设计历史学生对物品与历史多种解释方式的认识，并促使博物馆观众思索他们各自之于展品的别样理解。该项目成果将在上海玻璃博物馆展出至2020年3月。

 

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SHMOG X D&I:

Expanding Narratives

December 18, 2019

 

 

“Expanding Narratives” stems from an assignment undertaken by students in the Design History and Criticism course taught at Tongji University’s College of Design and Innovation by Prof. Aric Chen and Assistant Researcher Azinta Plantenga. The Design Director of Shanghai Museum of Glass Tilman Thürmer and curator Yichun Chen were invited to critique the students’ presentation.

On December 5, 2019, the outcome of the cooperative project was announced in the Museum. The students were each asked to choose one object on display at the Shanghai Museum of Glass, and place it within a different context by introducing two other objects from outside the museum in order to support their new narrative. After the address by Design Director and curator, students brought their presentation boards to the museum gallery. The results of this assignment, as both parties found inspiring, are presented next to the exhibits and the visitors could see an alternate interpretation. Through exercises such as this, students are equipped with an introductory knowledge of design history and theory as well as the critical thinking skills necessary to develop narratives, rethink narratives and situate design within broader socio–historical and contemporary phenomena.

Through this successful collaboration, the students’ fresh and critical thinking inspired by glass add another layer to the storytelling at the museum. “Expanding Narratives” not only builds awareness of the multiple ways in which objects and histories can be interpreted, but also encourages both students and visitors to think of their own alternate readings. The result of this project will be exhibited in the Shanghai Museum of Glass until March, 2020.

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上海文旅局牵手上海玻璃博物馆，邂逅晶莹剔透奇妙夜
Glassy Museum Night: SHMOG x Shanghai Municipal Administration of Culture and Tourism

2019年12月3日 / no comments

上海文旅局牵手上海玻璃博物馆，邂逅晶莹剔透奇妙夜

2019年10月22日

 

 

 

 

2019年11月23日，由上海市宝山区文化和旅游局、上海玻璃博物馆和阎华工作室共同策划的“博物馆奇妙夜”圆满结束。在上海玻璃博物馆今年新建的户外舞台上，到场嘉宾和市民共同见证了玻璃与艺术叠加的无限可能。

 

首先，上海玻璃博物馆馆长张琳讲述玻璃的起源，分享了博物馆是如何从一个冷冰冰的旧工业园区变为互动体验型社区化、国际化的文化机构。随后，上海大学美术学院王沁老师阐述了常见的玻璃认识误区，普及了它的历史与在人类发展中的作用。陈伟德玻璃艺术工作室彭阳女士分享了中西玻璃美学，从西方大教堂，到上海土山湾，再到身边的荣宅、马勒别墅等，指出玻璃与上海这座城市交互融通，已然成为海派文化一份子。最后，上海玻璃博物馆监事长俞旭从科技角度，探讨了玻璃之于现代人类社会的重要意义。除此之外，玻心璃语工作室设计师、钢琴家宋思衡、配音演员刘风与刘钦、音乐人王渊超父女、法国歌手Anne Evenou等汇演人员亲临现场，在讲座间穿插演出，令冒着寒冷前来捧场的观众们兴致高涨，掌声四起。

 

一个半小时的时光中，观众们不仅得到与玻璃艺术和历史精彩对话的机会，更享受了一系列难能可见的“荧屏”演出。往后，上海玻璃博物馆将继续发挥作为文化枢纽“传承城市文脉、弘扬城市精神”的责任，将更多高质量、高品位的文化活动引入博物馆社区，吸引人们走进博物馆，爱上博物馆。

Glassy Museum Night:

SHMOG x Shanghai Municipal Administration of Culture and Tourism

October 22, 2019

 

 

On November 23, 2019, organized by Shanghai Municipal Baoshan District Administration of Culture and Tourism, Shanghai Museum of Glass and Yanhua Studio, Glassy Museum Night was hosted successfully. On our latest built Outdoor Stage, the invited guests and citizens witnessed the infinite possibilities when glass encountered art.

Initially, Mr. ZHANG Lin, Director of Shanghai Museum of Glass introduced the origin of glass, and shared how the Museum transformed from a cold and old industrial heritage into an international, interactive cultural community and organisation. Afterwards, Mr. WANG Qin, Shanghai Academy of Fine Arts, explained the common misunderstanding, the history of glass and what role it played in human history. Ms. PENG Yang from Weide Stained Glass Studio shared the glass art with audience, from European cathedrals to T’ou-sè-wè of Shanghai, further the Rong Zhai and Moller Villa, elaborating that glass has already immersed into Shanghai culture. At last, Mr. YU Xu, Chairman of the Museum Board of Supervisors, discussed the importance and meaning of glass in contemporary society in the angle of technique. In addition, designers from Let’s Talk Glass Studio, pianist SONG Siheng, voice actor LIU Feng and LIU Qin, musician WANG Yuanchao and his daughter, French chanteuse Anne Evenou brought exciting performance between the intervals of talks.

In this one hour and a half time, the audience had a chance to look into glass art and history, and enjoyed the performance on stage. In future, Shanghai Museum of Glass will play its role as a cultural institution, bring more high-quality, highbrow cultural activities into museum community and attract people to the museum.

2019年“退火”，攀登当代艺术界的“珠穆拉玛峰”
Opening of Annealing 2019

2019年12月3日 / no comments

2019年“退火”，

攀登当代艺术界的“珠穆拉玛峰”

2019年12月03日

 

 

2019年11月3日，上海玻璃博物馆当代艺术项目“退火”的本年度展览正式开幕。今年，上海玻璃博物馆非常荣幸地邀请到了两位艺术家——孙逊和朴庆根（韩国），以玻璃为主线进行创作。在H18当代艺术馆内，两位艺术家分别为我们呈现两个名为《塞上（下集）》和《我是我的镜子》的精彩个展。

 

当日下午五点，艺术家论坛在新落成的穆拉诺西餐厅二楼举办，上海玻璃博物馆馆长张琳、项目艺术总监李力、本年度“退火”合作艺术家孙逊和朴庆根（韩国）出席了本次见面会。张琳馆长表示，往往以日常姿态出现的玻璃与当代艺术的相融令人振奋，并对年轻的“退火”项目寄予厚望。李力女士指出，“退火”不仅是艺术家为玻璃这一传统材料赋予新概念的过程，也是打破了当代艺术界限的尝试。孙逊表示，突破自我知识结构与经验认知，将自我想法融入玻璃创作是一个狼狈又有趣的过程，也是对于心理的巨大挑战与考验。朴庆根和观众们分享了参与“退火”时因文化差异发生的一些趣事，玻璃成为了他从私人化视角探讨女性角色的切入点。

 

当日晚间，上海玻璃博物馆广邀各行各业媒体嘉宾、业内闻人及艺术爱好者们欢庆这个时刻，一同先行参观本年度“退火”大展。随后，声音艺术家王长存、音乐人pink; money、ollo-MAM的现场表演将活动气氛炒至深夜，开幕派对画下圆满句点。

 

“退火”，作为践行博物馆使命的项目，不仅致力于为公众呈现以“物”的视觉欣赏为导向的展览，更希望能为公众带来引发思考、触动灵魂的体验。突破自我，超越极限，上海玻璃博物馆将不断邀请更多艺术家在作品中植入各种生命力，进而攀登当代艺术界的“珠穆拉玛峰”。

 

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Opening of Annealing 2019

December 03, 2019

 

 

 

On November 3, 2019, Annealing 2019, the contemporary art project of Shanghai Museum of Glass was officially opened. The Museum was honoured to invite two artists, SUN Xun and Kelvin Kyung Kun PARK (Korea), to create under the mainline of glass. As a result, in the Contemporary Art Hall 18, two artists brought their solo exhibitions, Frontier Part II and Double Mirror respectively.

At 5 pm, the Artist Forum was held on the second floor of the newly renovated Murano Café & Restaurant. The Museum Director ZHANG Lin, the Art Project Director Lise LI, and the two artists in collaboration of Annealing 2019, SUN Xun and Kelvin Kyung Kun PARK attended the Artist Forum. Mr. ZHANG Lin mentioned that the fusion between glass, a usually mundane material, and contemporary art would be intriguing, and expressed his great expectations on the young Annealing Project. As Lise LI argued, the Annealing Project was not only a process of giving new concept on glass as a traditional material, but also breaking the boundary of contemporary art. SUN Xun noted that breaking the knowledge structure and experiential cognition, and blending one’s own ideas into glass creation is a process awkward yet interesting, a great challenge to artist’s mentality. Kelvin shared the anecdotes of cultural difference during the Annealing Project with the audience; therein glass has become the start point of a private perspective of looking into female characters.

In the evening, Shanghai Museum of Glass hosted the media, professional audience and art lovers to enjoy the opening, previewing the yearly Annealing Exhibition together. After the preview, the performance by sound artist WANG Changcun, musician pink; money and ollo-MAM brought the audience a lively after party until late night, and the opening ended successfully.

As a project applying the museum’s mission, Annealing aims to not only presenting object-focused and visually pleasant exhibitions but also bringing a thought-provoking and soul-touching experience to the public. Out of the comfortable zone and beyond the limits, Shanghai Museum of Glass will keep inviting more artists to plant vitality to artworks, and then to climb the highland of contemporary art.

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点亮生命的每一天“局外人”系列第三期：星球之舞
“Outsider”No.3: Planetary Dance

2019年10月22日 / no comments

点亮生命的每一天

“局外人”系列第三期：星球之舞

2019年10月22日

 

 

如何去面对生命中挚爱的离去？澳大利亚玻璃艺术家理查德·怀特利近年来见证了父母身体的逐渐衰败，直至去世，并借由对于父母X光片的观察和解读，创作了《光域——理查德·怀特利个展》中的部分最新作品。

 

2019年10月13日，也是展览闭幕前一天，上海玻璃博物馆与自然艺术节、世界安宁疗护日、上海市妇女联合会特别合作，在上海玻璃博物馆园区内进行了为期一天的“局外人”系列活动。在这次富有意义的活动中，我们特别邀请了艺术表达治疗师Marguerite Etemad女士以及伦敦大学皇家霍洛威学院身体剧场专业硕士卢璐女士，以“告别”为主线，从展览《光域》出发，借由“星球之舞”的特别形式，带领参与者用肢体感受艺术，用舞蹈告别沉重。

 

活动一开始，在导师们的带领下，参与者们在《光域》展厅楼下的草坪集合，静下心来观察阳光与自然，感受鸟鸣与空气，植物的生长，光线穿过树叶的轨迹，在没有手机、没有话语的氛围下，仔细体验周围的世界。随后，两位导师对《光域——理查德·怀特利个展》进行了特别导览，要求每一位参与者默默欣赏作品，仔细观察其中的光影变化，吸取灵感，并记住此刻的感受，带入到后续的艺术工作坊创作中。导览参观之后，导师和参与者来到爱庐彩虹礼堂，学习生命/艺术历程（Life/Art process）艺术表达疗法和“RSVP循环”可持续创作法。参与者分成5组，根据欣赏《光域》展览和相关作品的感受，即兴创作舞蹈、绘画和诗歌作品，融合成舞台剧形式，以“宇宙”、“生机”、“生活的循环”、“命运·包容·接纳”、“死神来了”等主题进行呈现，精彩纷呈。

 

简单的休息后，Marguerite Etemad女士开始了“星球之舞”的教授，讲解了“星球之舞”的起源、目的、规则，并在鼓手的配合下，进行星球之舞的演练与彩排。在户外广场上，路过的观众也加入到舞蹈中，人们为了和平安宁而舞，也在这场活动中释放压力，享受快乐。“星球之舞”是有目的的舞蹈，每个人不是为了自身，而是为了他人而舞。带着这样的愿望尽可能长地延续舞蹈，在基本规则上即兴创作。快乐的情绪不断渲染，在活动结束后也久久难以散去：返场的encore、相互合影、加社交软件、相约下一场活动——人与人、人与自身的关系被重新建构。

 

此次活动是“局外人”系列活动的第三期。2019年，上海玻璃博物馆正式开启针对艺术展览阐释方式的“局外人”系列活动，邀请不同领域的创意工作者，从不同视角再次解读艺术展览。针对展览《光域》，前两期活动先后邀请了南方科技大学的袁长庚老师与同济大学创意设计学院的陈逸云老师，分别从医学人类学以及设计角度对该展览进行解读。上海玻璃博物馆希望通过这样的多元活动，为观众呈现另一种看待世界的方式，激发观众对艺术作品更加深刻的认识。

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“Outsider” No.3:

Planetary Dance

October 22，2019

 

 

How to face the decease of beloved in life? Australian artist Richard Whiteley gives his answer in an artistic approach. Witnessed the decay of health of his parents and they departed this life, Richard Whiteley had a unique perspective to observe and read their X-ray films, and therein created several latest works accordingly in his solo exhibition, Illuminated Space.

October 13, 2019, the last day before the closure of exhibition, Shanghai Museum of Glass cooperated with Natural Art Festival, World Hospice and Palliative Care Day and Shanghai Women’s Federation, hosted the “Outsider” series event in the Museum Park. Started from the exhibition Illuminated Space and under the mainline of “farewell”, we invited Ms. Marguerite Etemad, an established art-therapist, and Ms. LU Lu, graduate of Drama, Theatre and Dance MA by Research, Royal Holloway, University of London, to lead the participants to experience art through body and farewell depression through dance, in the form of “Planetary Dance”.

At the beginning, the participants gathered on the meadow under the exhibition hall, sensed the birdsong and fresh air, how sunlight crossed the leaves, experienced the surroundings without phones and words. Later, Marguerite and Lu brought the audience a special guide of Illuminated Space – Solo Exhibition by Richard Whiteley. Each participant was asked to appreciate the sculptures in silence, observe the change of light and shadow therein, and remember their feelings at that moment, which would be utilized in the following workshop. After the visiting, the participants came to Rainbow Chapel, learnt the “Life/Art process” art expression therapy and “RSVP Cycles” Creative Processes. Based on their feelings on the Exhibition, the participants were divided into 5 groups to create dance, painting and poem, and to conflate these extemporaneous pieces into a play, under the themes of “universe”, “organic”, “life cycle”, “fate · forgiveness · acceptance” and “Final Destination”.

After the break, Marguerite Etemad taught the “Planetary Dance”, explained its origin, purpose and rule. Under the echoes of drum, the participants started the practice and rehearsal. On the outdoor Art Plaza, the passersby were impressed and joined in the dance. Everyone was dancing for love and peace, and released pressure on the reverse. “Planetary Dance” is a dance with purpose, everyone dance for others rather than himself. With this pray and hope, the participants kept dance as long as possible and extemporaneously based on the basic rules. The mood of happiness was kept rendered and shared, which was not dissipated long after the end of event: encore, selfies, adding on social media, and make a rendezvous for next event – both the relationship between one and others and one and himself has been reconstructed.

This event is the third of the “Outsider” series. In 2019, Shanghai Museum of Glass initiated the art exhibition interpretation focused series event “Outsider”, inviting creative workers from different fields to re-interpret art exhibition from different perspectives. Aiming on the Illuminated Space, for the past two events we invited Dr. YUAN Changgeng, Assistant Prof. of Southern University of Science and Technology, and CHEN Yiyun, Lecturer of College of Design & Innovation, Tongji University, to interpret this exhibition from the angle of medical anthropology and design respectively. Through these diversified events, Shanghai Museum of Glass hopes to present to the audience another way to recognise the world and intrigue a deeper understanding to the art.

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上海玻璃博物馆十一特别表演
National Holiday Special Performance at SHMOG

2019年10月17日 / no comments

上海玻璃博物馆十一特别表演

2019年10月17日

 

 

 

金秋来袭，2019年十一黄金假期间，上海玻璃博物馆于10月1日、10月4日、10月6日在艺术广场上举办特别表演活动“Golden Night”。活动旨在联结参观者与博物馆户外空间，让参观者度过一个音乐逍遥夜。

 

整场表演由荧光舞与爵士乐穿插构成。荧光舞者首先通过舞动光剑产生光圈特效，渐暗天色之下，绚烂的闪光与夸张的动作吸引了观众们的好奇。而后来自白俄罗斯的梦龙乐队即兴表演了Havana、We Don’t Talk Anymore、Attention等曲目。为了让观众尽情享受演出，博物馆园区穆拉诺西餐厅在广场上开放了“咖啡铺”，提供各式酒水饮品。

 

这已经不是上海玻璃博物馆第一次将文化体验活动与园区艺术空间相结合。“Golden Night”是上海玻璃博物馆致力于促成观众从传统馆内学习走向馆外的转变，让博物馆成为一种生活方式，这一愿景的新尝试。

 

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National Holiday Special Performance at SHMOG

October 17, 2019

 

 

In the beginning of golden autumn, Shanghai Museum of Glass hosted three special “Golden Nights” with music and dance on the Art Plaza, in the evening of October 1, 4 and 6 respectively in the National Holiday. The event aims to connect museum visitors and museum outdoor space, bringing the visitors a promenade music night.

 

Jazz and dance intertwined, composed the whole performance together. Danced with the fluorescent accessories, the illuminated dancers attracted audiences by light effects and hilarious gestures. The dance is followed by the live music of Dream Dragon Band, a Shanghai based Belarusian Jazz Band. They brought an impromptu performance including songs such as Havana、We Don’t Talk Anymore、Attention. In addition, the Museum Restaurant Murano opened the Café Stand on the Art Plaza, providing beverages to the visitors.

 

This is not the first time that Shanghai Museum of Glass tries to combine cultural experience activities and museum outdoor spaces. The event “Golden Night” is a new attempt to transform museum experience from indoor to outdoor, and as such, to develop museum into a lifestyle.

博物馆艺术公寓2.0上线
Museum Art Apartment 2.0 Released

2019年8月27日 / no comments

博物馆艺术公寓2.0上线

2019年8月3日

 

 

 

2019年3月27日，全中国唯一一所坐落于博物馆、由博物馆团队自主运营的博物馆艺术公寓正式上线。在广大热爱文艺、热爱新鲜事物朋友们的积极响应下，同年8月3日，博物馆艺术公寓2.0上线，园区内房源总量达到4间。

 

博物馆艺术公寓室内设计均由德国建筑设计事务所协调亚洲亲自操刀。位于上海玻璃博物馆园区内珂庐二楼的两间公寓保留了工厂仓库的基因，用砖石、水泥和挑高的天花板等强烈工业感符号，同时又借助装饰画和暖光源反差营造了温暖的室内空间。与博物馆主馆“幻梦厅”一墙之隔的两间公寓则大面积运用镜面，创造出独特的未来感空间。此外，2.0的两个房间增添了一处温馨的客厅公共区域，方便亲友结伴入住。

 

在高度注重用户体验的时代，上海玻璃博物馆大胆将私人空间与艺术空间结合，引入了参与式博物馆理念。这不仅是一个单纯的住宿项目，而是从设计、定位、经营各个角度，全方位凸显高辨识度与高差异化的艺术特色服务，传递了“博物馆生活方式”态度。从城市的客厅到文化的绿洲，从精神的家园再到心灵的栖息之所，博物馆艺术公寓的出现，正是满足了公众对于博物馆功能日益增长的情感需求。

 

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Museum Art Apartment 2.0 Released

August 3, 2019

 

 

On March 27, 2019, Museum Art Apartment, probably the only guest house located in the museum in China and run by museum staffs, was launched. Under the positive response of those who love art and new things, we updated the Museum Art Apartment into 2.0, reached four guest rooms altogether.

The interior design of Museum Art Apartment was executed by COORDINATION Asia Ltd. The two apartments located on the second floor of KLIN building, keep the original warehouse design gene and convert industrial marks such as brick, cement and high ceilings; at the same time, decorative prints and warm lights make the apartments cozy, domestic and warmth. The other two apartments, next to the Dreams Hall of Museum, deploy mirror extensively to create a unique futuristic space. In addition, Museum Art Apartment 2.0 adds a new living room and common space which links two rooms, suitable for friends and family come together.

In a period highly value consumer’s experience, Shanghai Museum of Glass boldly integrates private space and art space, incorporating the concept of participatory museum. Museum Art Apartment is not only an accommodation project, but also putting forward a highly recognizable and differentiated artistic service from many aspects including design, positioning, management, in order to transmit the idea of “Museum Lifestyle”. From a city salon to a culture oasis, from a spiritual homeland to a rest place for mind, the debut of Museum Art Apartment fulfills the increasing emotional need on museum functions.

 

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上海玻璃博物馆策划即兴心理剧“破碎之光”
Psychodrama “The Light of Broken Glass” Organized by Shanghai Museum of Glass

2019年8月23日 / no comments

 上海玻璃博物馆策划即兴心理剧

“破碎之光”

2019年8月2日

 

 

 

2019年8月2日，上海玻璃博物馆在水晶厅策划了一场大规模的即兴心理剧，活动由赖念华博士带领，毛思翩女士提供特别摄影支持。本次情境艺术疗愈互动基于玻璃脆弱、易碎等特性，探讨了人类生命中挫折、失败和痛苦的破碎之光。

 

当夜，在专业老师们的带领下，全场近百名人员兼具旁观者与参与者的双重身份，纷纷投入这场特别的戏剧表演之中。当内在的生命事件如困顿、苦境、束缚一一再现之时，观众们重新体验自我思想、情绪、梦境以及人际关系，并跟随剧情的推进，接触、释放、觉察、分享自我的所思、所行与所言。

 

本次特别活动与上海玻璃博物馆于2018年6月推出的“BRKN破碎”大展息息相关。“破碎”，这个带有消极意味的行为，在各个领域拥有丰富且多变的蕴意，而富有转化为某种积极价值导向的可能性。通过心理剧的方式，我们再一次解析并反思了破碎的意义，并学会拥抱破碎绽放的光芒。

 

秉持“蜕变逐新不止步”的理念，上海玻璃博物馆在履行研究、展览、教育三大基础职能之上，将不断探索前所未有的艺术活动形式，吸引不同的观众们走进博物馆，深耕前卫非凡的审美体验。

 

Psychodrama “The Light of Broken Glass” Organized by Shanghai Museum of Glass

August 2, 2019

 

 

 

On August 2nd, Shanghai Museum of Glass organized a large scale impromptu psychodrama. The psychodrama was headed by Dr. LAI Nien-Hwa and filmed by Mao Sipian. Derived from the intrinsic character of glass, namely fragile and brittle, this art therapy discussed the frustration, failure and bitterness in human life, as well as the light and possibility hides in the broken.

In the night, under the guidance of specialists, almost one-hundred participants, as both audiences and performers, joined in this unique drama. When life experiences such as exhaustion, plight and fetters were put on the stage, the participants experienced their thoughts, feelings, dreams and social relationship again. Alongside with the plot developed, they could sense, release, perceive and share what they thought, executed and uttered.

The play was closely connected with the BRKN exhibition which opened in June 2018. Broken, an act that contains negative meaning, yet possess versatile connotation in various areas, has rich possibilities to be transformed into something positive orientated. Through the psychodrama, we analyzed and rethought the meaning of broken, and learnt to accept and embrace the light behind it.

Followed the idea of “never stop exploring”, besides implementing the basic duties of research, exhibition and education, Shanghai Museum of Glass will keep exploring new artistic event forms, to attract different visitors come to the museum and foster avant-garde aesthetic experience.